by Devon Code
A landlord's disturbing eccentricities put him at odds with his tenants. A disgruntled barber's assistant endures his last day on the job. An aspiring painter combats an ongoing series of distractions.
With a generous spirit and keen eye for minutiae, Journey Prize winner Devon Code teases moments of clarity from the chaos of the everyday grind in these three thematically-linked microfictions.
THREE STUDENTS LIVED IN the three-bedroom house; their landlord lived next door. There was a firepit in his backyard, which adjoined the backyard of his female tenants. In this pit he would regularly burn all manner of synthetic substances, taking great pleasure in their incineration. When the flames were at their highest and the fumes at their most noxious, he could be seen standing before the fire, almost at attention, singing in an ardent, stentorian manner. He sang in a foreign language the tenants did not recognize, his lyrics entirely indecipherable, the tunes growing increasingly familiar with each fire.
The fumes would permeate the tenants’ home, making the rear rooms unlivable, causing the tenants to suffer headaches and other ailments as they speculated as to the origin of their elderly landlord’s mania. One of the tenants had learned from the landlord, in that brief mid-summer period before the fires had begun, that during the war he had been forced to work in the camps. In accented but articulate English, the landlord had spoken eloquently about the trials of this horrific time in his past and the lasting impressions they had made upon him. When, several weeks later, the same tenant to whom the landlord had spoken lodged a complaint about the fires, the landlord did not seem to understand, nor could he articulate a coherent response, his facility for English having regressed to a state of complete incomprehensibility, as if the fires’ fumes had a deleterious effect on his faculties. On subsequent occasions, other tenants would confront him, sometimes two at a time, the landlord’s inability to distinguish one tenant from another — along with his unwillingness to look them in the eye — becoming increasingly apparent.
Despite the tenants’ protestations, the fires did not abate. By early autumn they had grown so regular as to cause the tenants to consider breaking their lease. They were reluctant to do so given the reasonableness of the rent, their proximity to the university, and the spaciousness of their accommodation. Their determination to stay gave rise to a variety of measures to curtail the fires, the first of these being the protection of their recyclables. By mid-October, the landlord, having run out of synthetic objects, began to search for plastics in the recycling bin stored on his tenants’ porch, claiming, when questioned, that he was collecting refundable items, the deposits for which would otherwise go unclaimed. His tenants, who were not fooled, firmly forbade him access to the porch. The landlord took to conducting his searches at night, flashlight in hand, waking his tenants with the noise of his rummaging, as if he were a raccoon. In desperation, the tenants began storing their recyclables in their front hall, waiting on Wednesday mornings for the sound of the approaching sanitation truck, so as to prevent the bin from being intercepted.
about the author
DEVON CODE is a fiction writer. He is the author of In A Mist, a collection of stories. Involuntary Bliss, his debut novel, was published by BookThug in October 2016. In 2010, he was the recipient of the Writers' Trust Journey Prize. Originally from Dartmouth, Nova Scotia, he lives in Peterborough, Ontario.
from the library
Was More Here
by Danny Goodman
In New York City, Ben smokes too much and sleeps with women as a way to deaden his insecurities. With every indiscretion, he fights off adulthood for one more day, until the return of an ex-lover leaves him unsure of everything. Ben’s best friend, Josh, struggles to find the good in his marriage to Maddie, even as he searches for a way to keep from losing her. Ben’s neighbor, Mrs. Aguilera, looks to make peace with those she has already lost. Gripping tightly to one another like the oddest of families, Ben and his friends embody the place in which they live: a city where everything combines, with a touch of perfect madness, into something more than the sum of its parts.
“I love this story because it’s just plain good. The characters are broken and unsure, but the love they have for each other and the humor that carries them along is genuine and lovely to behold. This story made me laugh even while it was hitting me in the gut, and I’d like nothing more than to sit down and drink a beer with everyone in it. Mr. Goodman, thank you for rocking my literary waffle.”
— Lish McBride, author of Hold Me Closer, Necromancer
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Bright Lights on Broadway
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Having lived a long, eventful life, Charlie Weinheimer’s only regret is that he has no one to carry on after him. After a near-death experience, he resolves to find out whether a secret buried in his past is proof he has a legacy after all.
“Margoshes gives us the life of Charlie Weinheimer: quadruple bypass patient, widower whose children all die tragically young, but not a whiner. In his hospital bed at age seventy-seven, he’s seen it all, right? Well, maybe not. Watch as Margoshes calls upon his raconteur skills to thicken the plot.”
— David Carpenter, winner of the 2010 Saskatchewan Book Award for A Hunter’s Confession
Laws of Flight
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of My Sound
by Andrew Forbes
Saxophonist Metche Hufu and his band are the talk of Addis Ababa, filling nightclubs and packing dance floors. But the precarious existence of this golden age of culture depends on an emperor’s benevolence - and when his power begins to wane, Metche Hufu's music threatens to be silenced by the sounds of a country torn apart.
“How do you give voice to a sax player silenced by the politics of his country? If you’re a jazz singer like Kurt Elling, you take Dexter Gordon’s solo on ‘Body and Soul’ from his Homecoming album and you turn it into vocalese. If your name is Andrew Forbes and your tenor sax player is Ethiopian and it is Addis Ababa 1973 and his musical idol is King Curtis, you write The Expansiveness of My Sound and what you write is wider, more straight-ahead, stronger with political fervour, sadder than Elling but every bit as smart. Forbes is doing it solo and you have to imagine the quartet behind him. Read it with your fingers tapping and you’ll catch the beat. Read it with your ears open and you’ll hear Metche Hufu’s body and soul. Dig it!”
— T. F. Rigelhof, author of Hooked on Canadian Books: The Good, the Better, and the Best Canadian Novels Since 1984
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A woman wakes up in bed beside her ex-boyfriend and is at loss to explain how she got there. Inexplicably drawn to stay, she scours every square inch of the apartment they used to share, noting the traces of her presence that linger on, as well as the empty spots that conspicuously mark her absence. The deeper she digs, the more she understands how imperfect her relationship was – and the less willing she is to come up for air.
In the Afternoon
by Laure Baudot
Catherine wants what Richard has: a richly decorated house, and a perfect, lavished-upon baby. Catherine also wants Richard: a disaffected diplomat whose true passion is for cinema. But Catherine is only the babysitter, and her envy—and its fallout—come to the fore when Richard is accused of a crime, and she must decide whether to help exonerate him.
“Laure Baudot’s prose is exquisite, patient, and sophisticated. In the Afternoon immerses you in the fascinating and complicated mind of a babysitter who is wise beyond her years, yet dangerously impulsive at the same time. This story is irresistible and heartbreaking.”
— Sarah Selecky, author of the 2010 Giller Prize–shortlisted collection This Cake Is for the Party