by Devon Code
A landlord's disturbing eccentricities put him at odds with his tenants. A disgruntled barber's assistant endures his last day on the job. An aspiring painter combats an ongoing series of distractions.
With a generous spirit and keen eye for minutiae, Journey Prize winner Devon Code teases moments of clarity from the chaos of the everyday grind in these three thematically-linked microfictions.
THREE STUDENTS LIVED IN the three-bedroom house; their landlord lived next door. There was a firepit in his backyard, which adjoined the backyard of his female tenants. In this pit he would regularly burn all manner of synthetic substances, taking great pleasure in their incineration. When the flames were at their highest and the fumes at their most noxious, he could be seen standing before the fire, almost at attention, singing in an ardent, stentorian manner. He sang in a foreign language the tenants did not recognize, his lyrics entirely indecipherable, the tunes growing increasingly familiar with each fire.
The fumes would permeate the tenants’ home, making the rear rooms unlivable, causing the tenants to suffer headaches and other ailments as they speculated as to the origin of their elderly landlord’s mania. One of the tenants had learned from the landlord, in that brief mid-summer period before the fires had begun, that during the war he had been forced to work in the camps. In accented but articulate English, the landlord had spoken eloquently about the trials of this horrific time in his past and the lasting impressions they had made upon him. When, several weeks later, the same tenant to whom the landlord had spoken lodged a complaint about the fires, the landlord did not seem to understand, nor could he articulate a coherent response, his facility for English having regressed to a state of complete incomprehensibility, as if the fires’ fumes had a deleterious effect on his faculties. On subsequent occasions, other tenants would confront him, sometimes two at a time, the landlord’s inability to distinguish one tenant from another — along with his unwillingness to look them in the eye — becoming increasingly apparent.
Despite the tenants’ protestations, the fires did not abate. By early autumn they had grown so regular as to cause the tenants to consider breaking their lease. They were reluctant to do so given the reasonableness of the rent, their proximity to the university, and the spaciousness of their accommodation. Their determination to stay gave rise to a variety of measures to curtail the fires, the first of these being the protection of their recyclables. By mid-October, the landlord, having run out of synthetic objects, began to search for plastics in the recycling bin stored on his tenants’ porch, claiming, when questioned, that he was collecting refundable items, the deposits for which would otherwise go unclaimed. His tenants, who were not fooled, firmly forbade him access to the porch. The landlord took to conducting his searches at night, flashlight in hand, waking his tenants with the noise of his rummaging, as if he were a raccoon. In desperation, the tenants began storing their recyclables in their front hall, waiting on Wednesday mornings for the sound of the approaching sanitation truck, so as to prevent the bin from being intercepted.
about the author
DEVON CODE is a fiction writer. He is the author of In A Mist, a collection of stories. Involuntary Bliss, his debut novel, was published by BookThug in October 2016. In 2010, he was the recipient of the Writers' Trust Journey Prize. Originally from Dartmouth, Nova Scotia, he lives in Peterborough, Ontario.
from the library
After undergoing a cosmetic treatment to recover her lost youth, a middle-aged woman finds herself reconnected to her alienated daughter - a young woman still searching for her own path in life - in an unexpected and incredible way. A modern-day fable from two-time Scotiabank Giller Prize nominee Pauline Holdstock.
“Hers is the kind of prose you get lost in.”
— National Post on The Hunter and the Wild Girl
“Holdstock’s writing manages to be both heartbreakingly poetic and densely detailed ... sad passages, ghostlike recollections, written almost from the vantage point of the present, establish the book as a great work of fiction.”
— The Globe and Mail on Into the Heart of the Country, longlisted for the 2011 Scotiabank Giller Prize
“Holdstock, with a few deft strokes, pulls the reader into the tumultuous life of an alluring rabble of characters: painters, sculptors, patrons, fools, and slaves . . . In Beyond Measure, she proves herself a master of pacing. Her lively, macabre plot trips lightly along in spite of its dark elements.”
— The Globe and Mail on Beyond Measure, finalist for the 2004 Giller Prize and the 2004 Commonwealth Writers' Prize
Eleven Miles There,
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Deep in the heart of Ontario cottage country, Izza Ingram’s biological family disintegrates when her parents become trapped in a moment Izza can barely remember. Lost to their parents, she and her sister Paulie form an unlikely family unit under the guidance of their parents’ friend Doug. In this trio of their own making, Izza, Paulie, and Doug try to navigate the differences between the families we are born into versus the families we choose.
by Curtis Snider
A woman wakes up in bed beside her ex-boyfriend and is at loss to explain how she got there. Inexplicably drawn to stay, she scours every square inch of the apartment they used to share, noting the traces of her presence that linger on, as well as the empty spots that conspicuously mark her absence. The deeper she digs, the more she understands how imperfect her relationship was – and the less willing she is to come up for air.
by Kirsty Logan
The anarchic relationships holding together a group of teen girls - whose lines between love and hate, jealousy and loyalty, are not so much drawn as they are furiously scribbled - are put to the test at an unforgettable birthday party. This story captures all the angst and uncertainty of adolescence, with prose as sharp and jarring as a smashed kaleidoscope.
“Rarely an author comes along whose work hits you with the impact of a slap. I have had this experience with the work of Jayne Anne Phillips, with Lorrie Moore and Mary Gaitskill; most recently I have felt this on discovering the writing of Kirsty Logan. Her work is elegant, minimal, and innovative, but underlying it all is a great passion. If the world is a place where talent is recognised—in time, I believe, we may come to say her name alongside the aforementioned.”
— Ewan Morrison, author of Swung
Portraits of people marooned within themselves, trapped by their past experiences, by uncertainty and anxiety — individuals for whom each new situation is a grueling journey towards the present, a place where action and choice are possible. In Second World, Matt Cahill illustrates, with honesty and empathy, how the most important breakthroughs are not the life-altering revelations, but rather the minor miracles that get us through each day.
A small-time internet scammer is shaken from her somewhat safe new life when an investigator arrives with questions to do with her erstwhile "period of moral decline" — specifically, the whereabouts of a young woman whose brief, bright friendship nearly steered her from the stability she now craves.
Saxophonist Metche Hufu and his band are the talk of Addis Ababa, filling nightclubs and packing dance floors. But the precarious existence of this golden age of culture depends on an emperor’s benevolence - and when his power begins to wane, Metche Hufu's music threatens to be silenced by the sounds of a country torn apart.
“How do you give voice to a sax player silenced by the politics of his country? If you’re a jazz singer like Kurt Elling, you take Dexter Gordon’s solo on ‘Body and Soul’ from his Homecoming album and you turn it into vocalese. If your name is Andrew Forbes and your tenor sax player is Ethiopian and it is Addis Ababa 1973 and his musical idol is King Curtis, you write The Expansiveness of My Sound and what you write is wider, more straight-ahead, stronger with political fervour, sadder than Elling but every bit as smart. Forbes is doing it solo and you have to imagine the quartet behind him. Read it with your fingers tapping and you’ll catch the beat. Read it with your ears open and you’ll hear Metche Hufu’s body and soul. Dig it!”
— T. F. Rigelhof, author of Hooked on Canadian Books: The Good, the Better, and the Best Canadian Novels Since 1984
A recruiter for a Division I college basketball team travels to a town in hopes of finally convincing the year's prize high school prospect to play for his team. Over several days, he reflects on his love of the sport, his respect for the kids, and a job that forces him to sweep sentiment aside in order to get results.
“Andrew Forbes' The Gamechanger is a powerful work from a point-of-view — that of the scout, the talent evaluator — which is not often seen or done convincingly, as it is here. A story about fathers and sons, about fate, and about the implicit savageries that lurk at the heart of the sports we love and the teams we cheer for. This is wonderful, raw writing.”
— Craig Davidson, author of Rust and Bone and Cataract City
“A fascinating look at the relationships a recruiter has to manage, from the sacrifices of being away from their family, to dealing with rival recruiters, prospects and their friends and family ... a very nuanced and layered approach that goes beyond just a man with a job to do at a gym.”
— Alex Wong, stevenlebron.com