by Devon Code
A landlord's disturbing eccentricities put him at odds with his tenants. A disgruntled barber's assistant endures his last day on the job. An aspiring painter combats an ongoing series of distractions.
With a generous spirit and keen eye for minutiae, Journey Prize winner Devon Code teases moments of clarity from the chaos of the everyday grind in these three thematically-linked microfictions.
THREE STUDENTS LIVED IN the three-bedroom house; their landlord lived next door. There was a firepit in his backyard, which adjoined the backyard of his female tenants. In this pit he would regularly burn all manner of synthetic substances, taking great pleasure in their incineration. When the flames were at their highest and the fumes at their most noxious, he could be seen standing before the fire, almost at attention, singing in an ardent, stentorian manner. He sang in a foreign language the tenants did not recognize, his lyrics entirely indecipherable, the tunes growing increasingly familiar with each fire.
The fumes would permeate the tenants’ home, making the rear rooms unlivable, causing the tenants to suffer headaches and other ailments as they speculated as to the origin of their elderly landlord’s mania. One of the tenants had learned from the landlord, in that brief mid-summer period before the fires had begun, that during the war he had been forced to work in the camps. In accented but articulate English, the landlord had spoken eloquently about the trials of this horrific time in his past and the lasting impressions they had made upon him. When, several weeks later, the same tenant to whom the landlord had spoken lodged a complaint about the fires, the landlord did not seem to understand, nor could he articulate a coherent response, his facility for English having regressed to a state of complete incomprehensibility, as if the fires’ fumes had a deleterious effect on his faculties. On subsequent occasions, other tenants would confront him, sometimes two at a time, the landlord’s inability to distinguish one tenant from another — along with his unwillingness to look them in the eye — becoming increasingly apparent.
Despite the tenants’ protestations, the fires did not abate. By early autumn they had grown so regular as to cause the tenants to consider breaking their lease. They were reluctant to do so given the reasonableness of the rent, their proximity to the university, and the spaciousness of their accommodation. Their determination to stay gave rise to a variety of measures to curtail the fires, the first of these being the protection of their recyclables. By mid-October, the landlord, having run out of synthetic objects, began to search for plastics in the recycling bin stored on his tenants’ porch, claiming, when questioned, that he was collecting refundable items, the deposits for which would otherwise go unclaimed. His tenants, who were not fooled, firmly forbade him access to the porch. The landlord took to conducting his searches at night, flashlight in hand, waking his tenants with the noise of his rummaging, as if he were a raccoon. In desperation, the tenants began storing their recyclables in their front hall, waiting on Wednesday mornings for the sound of the approaching sanitation truck, so as to prevent the bin from being intercepted.
about the author
DEVON CODE is a fiction writer. He is the author of In A Mist, a collection of stories. Involuntary Bliss, his debut novel, was published by BookThug in October 2016. In 2010, he was the recipient of the Writers' Trust Journey Prize. Originally from Dartmouth, Nova Scotia, he lives in Peterborough, Ontario.
from the library
Catherine wants what Richard has: a richly decorated house, and a perfect, lavished-upon baby. Catherine also wants Richard: a disaffected diplomat whose true passion is for cinema. But Catherine is only the babysitter, and her envy—and its fallout—come to the fore when Richard is accused of a crime, and she must decide whether to help exonerate him.
“Laure Baudot’s prose is exquisite, patient, and sophisticated. In the Afternoon immerses you in the fascinating and complicated mind of a babysitter who is wise beyond her years, yet dangerously impulsive at the same time. This story is irresistible and heartbreaking.”
— Sarah Selecky, author of the 2010 Giller Prize–shortlisted collection This Cake Is for the Party
A hybrid travelogue and memoir that pieces together the fragmented recollections of one woman’s rocky journey toward vegetarianism. From her rural upbringing in francophone Northeastern Ontario to exotic locations, outlandish adventures, and bizarre meals, Julie relives her struggle to make the right food choices for herself and examines the consequences of her decisions.
New wife and mother Julie is a woman struggling to find her place. Her dilemmas, while modest, feel harsh, and reflect the ways in which women were once denied control over their own bodies. Her first steps toward independence bring great pain—and not only to herself. With sparing, incisive prose, Cynthia Flood unravels what it meant to be a married woman in post-war era Vancouver, creating an evocative and even unsettling experience for the reader.
“With a precision of language that startles and delights, Cynthia Flood offers glimpses of those moments in which the essence of an entire life is revealed.”
— Nancy Richler, author of The Imposter Bride
“What a great story! Told in terse, restrained sentences, yet opening to a lush and radiant heart, Addresses captures the anguish of a marriage gone off the rails, and the moments of redemption that arrive from unexpected places. Flood’s use of language is uniquely her own–staccato, clean as a knife, and brilliant. Cynthia Flood has done it again.”
— Shaena Lambert, author of Radiance
“The abruptness of the title tells so much about this exquisitely drawn story by Cynthia Flood. ‘Tell the truth but tell it slant,’ Emily Dickinson advised, and that’s always been the approach Flood has preferred for her bone-china fictions, edging into them sideways. Once escorted into the story’s arrhythmic heart, we readers have no choice but to immerse ourselves in a world long gone but still very much with us, to emerge both shaken and stirred.”
— Dave Margoshes, author of A Book of Great Worth
Charlotte is on the cusp of adolescence, and her world is being turned upside down. Unable to turn to her distant mother or absent father, she searches for guidance on the streets of downtown Toronto—and discovers God (or some version of Him) in the gutter.
“The Last Judgment is a story that penetrates into the heart of childhood sadness. Charlotte is without tools to fix what is broken, except for the incredible force of her will. The connections she makes between religion, parental failure, sexuality, and love make perfect sense because they are told in her bell-clear voice. This story is warm and tragic and, at moments, grimly funny.”
— Rebecca Rosenblum, author of Once and Road Trips
A woman wakes up in bed beside her ex-boyfriend and is at loss to explain how she got there. Inexplicably drawn to stay, she scours every square inch of the apartment they used to share, noting the traces of her presence that linger on, as well as the empty spots that conspicuously mark her absence. The deeper she digs, the more she understands how imperfect her relationship was – and the less willing she is to come up for air.
People grow in dimensions other than those we perceive. The teenage narrator of award-winning author Daniel Karasik’s latest story must deal with the fact that his older sister is now a grown woman, and Lucy, his crush-next-door, has become a mystery, with depths beyond his comprehension. Has he been coasting all this time, school and television his life’s only sources of momentum?
Health care workers on a night out unwind, allowing the anxieties and passions they've had to suppress on the job finally uncoil, like tendrils creeping out into the world - and into each other. Written with empathy and panache, this story is a portrait of briefly flaring humanity - of people granted a temporary reprieve from professionalism, and not quite knowing what to do with it.
“At the Bar is Rosenblum at her best - exploring the complicated nature of work and relationships with her trademark perceptiveness, humour, and compassion, and creating characters that will stay with you long after the story is over.”
— Amy Jones, author of What Boys Like and Other Stories