by Kelsey Robbins Lauder
A small-time internet scammer is shaken from her somewhat safe new life when an investigator arrives with questions to do with her erstwhile "period of moral decline" — specifically, the whereabouts of a young woman whose brief, bright friendship nearly steered her from the stability she now craves.
I TAKE THE SCENIC route even though I'm already fifteen minutes late. A stretch of wetland along Highway 101, south of my home, contains pearlescent-grey tree trunks. Their branches are broken away, none taller than a few metres. Tops jagged and broken. They fascinated me as a kid—still do, but without the mystery. I thought the trees petrified, perhaps turned to stone long ago. I realize now the colour comes from years of exposure to sea salt air and recognize the ghostly hue in the driftwood piled on the beach, but still those trees are granite in my mind, the water that runs through the marsh diseased.
Even now I slow my car as I pass, allow a pile of irritated drivers to crowd behind me. Unchanged. Perhaps it is not a poisoned place but a moment out of time, an error in the universe’s expansion.
Ten minutes later, I reach the outskirts of Depoe Bay and pull into Tidal Raves. It’s off season, still gloomy, so the restaurant’s parking lot is empty. This town is a small dip in highway speed limit, insignificant except for the countless summer rental houses and the stone wall that protects the main strip of shops from battered Pacific waves. It is a neutral ground.
I check the mirror before I get out. My eyeliner has smudged, and the bobby pins to keep my hair intact have fallen out. I rearrange a few and grab the sunglasses my boyfriend, Luke, left in the glove compartment. Cheap tactics run out, and I go inside.
IF I STOOD IN front of my peers, no doubt would they find me innocent of any wrongdoing, though guilty of criminal activity. People don’t mind when you scam insurance companies or steal from the corporate giants that slit our throats Monday through Friday. It’s when you hurt poor, innocent grannies that people burn you. I keep to the Robin Hood side, but truth be told it's too easy. Email some old lady, tell her you're in Mexico, she's already won a grand prize, say a yacht. A week after she pays the so-called border fees, a model boat appears in her mailbox. That's not me, but one piece of advice for anyone: there are bad guys everywhere. Doesn’t matter what it says on their passports.
In fact, I learned how to hustle from a Spaniard. A girl called Alba who came from Barcelona to study. I was in a period of moral decline: broke from a drug habit an ex-boyfriend dumped me with and carrying too much dead weight to clean my life up and maybe find a real job. Alba lived in the pantry of the old farmhouse we rented on the outskirts of Eugene. She would sit on the handlebars of my bike every morning we woke in time for class. We grew close in an instant, I charmed by her European exoticism and lack of sentimentality, she enraptured by my heavy sarcasm and eagerness to jump at anything shady.
The first time we ran the luggage scam, Alba ran point. I thought we should try both legs, but Alba warned subtlety and patience are the only saints of scam artistry. We begged a little cash out of our parents and took separate non-stop flights from PDX to John Wayne for spring break. With brand new credit cards, we shopped luxury names: clothes only, electronics are useless. The next day we’d return the coat or shoes or dress—not without a little heartbreak—but keep the receipt. The rest of the time we snorted lines off surfboards and rode beach cruisers in bikinis through sandy streets lined with million-dollar McMansions. The good life brushed against my fingertips, waiting for me to take hold.
about the author
KELSEY ROBBINS LAUDER is a writer from the Oregon Coast now pursuing her MFA at the University of Victoria. She also has published or forthcoming short fiction in EVENT and Little Fiction, and has served as an intern on the fiction board at The Malahat Review since 2013. She is currently working on a collection of short stories and a novel. She can be found on Twitter at @krlaudr.
from the library
On an isolated English beach a man looks back on his school days, recalling the joy and torment of a secret love affair with a boy full of strange ideas, a boy obsessed with the language of the King James Bible. Moments from their relationship return to him: the hidden meetings on the beach, the first attempts at sex, the boredom of a school assembly in summertime, the cruelty of a young English teacher. But most of all he remembers the boy’s words. They’re words that, years later, will haunt him as he tries to come to terms with the person he has become.
“Psalm 77 is the type of story that one wants to read over and over, searching for meanings previously unseen. It is laced with the hidden, the secret, the sacred. From the sand dunes and their private longings in school to the verses, the imagery, and the final paragraphs, there is so much to uncover . . ." (Read full review)
— Amanda Miller from shortsundone.ca
The anarchic relationships holding together a group of teen girls - whose lines between love and hate, jealousy and loyalty, are not so much drawn as they are furiously scribbled - are put to the test at an unforgettable birthday party. This story captures all the angst and uncertainty of adolescence, with prose as sharp and jarring as a smashed kaleidoscope.
“Rarely an author comes along whose work hits you with the impact of a slap. I have had this experience with the work of Jayne Anne Phillips, with Lorrie Moore and Mary Gaitskill; most recently I have felt this on discovering the writing of Kirsty Logan. Her work is elegant, minimal, and innovative, but underlying it all is a great passion. If the world is a place where talent is recognised—in time, I believe, we may come to say her name alongside the aforementioned.”
— Ewan Morrison, author of Swung
In the rugged Nepisiguit River region of northern New Brunswick, two hunters face off. One is local sports lodge employee Danny Knockwood, a Mi’gmaw guide with a withered hand. The other is Mui’n, a one-eared black bear battling his inexorable hunger. When Danny is charged by the lodge owner to hunt down the bear that is frightening guests at the salmon pools, his personal values come into sharp conflict with his commitment to the task. The resulting confrontation tests both his physical strength and his beliefs, as Danny begins to recognize a kindred spirit within the fiercely determined bear.
A recruiter for a Division I college basketball team travels to a town in hopes of finally convincing the year's prize high school prospect to play for his team. Over several days, he reflects on his love of the sport, his respect for the kids, and a job that forces him to sweep sentiment aside in order to get results.
“Andrew Forbes' The Gamechanger is a powerful work from a point-of-view — that of the scout, the talent evaluator — which is not often seen or done convincingly, as it is here. A story about fathers and sons, about fate, and about the implicit savageries that lurk at the heart of the sports we love and the teams we cheer for. This is wonderful, raw writing.”
— Craig Davidson, author of Rust and Bone and Cataract City
“A fascinating look at the relationships a recruiter has to manage, from the sacrifices of being away from their family, to dealing with rival recruiters, prospects and their friends and family ... a very nuanced and layered approach that goes beyond just a man with a job to do at a gym.”
— Alex Wong, stevenlebron.com
Coming out of an unhappy relationship and a stint at an artist colony, Charlotte, a writer, takes a job teaching at a private ESL college. There she befriends Renata—audacious, sexy, and as changeable as Proteus. “I have a story for you,” Renata says to her one day over lunch. She doesn’t elaborate further, but Charlotte soon discovers that she has found in Renata an unexpectedly passionate and compelling subject.
“Caroline Adderson is such a graceful and intelligent writer that the work that must surely go into creating her hilarious, prismatic stories is never betrayed in the language. There is no strain on the page, not a bead of sweat. I think of her as a writer’s writer. I envy her talent and learn from her sentences. The short story, Obscure Objects, is, I’m happy to report, Adderson at her glorious best.”
— Barbara Gowdy, author of Helpless and The White Bone
“Obscure Objects, Caroline Adderson’s fierce and affecting workplace comedy, is a deadpan gem: droll, moving, snapping-smart.”
— Meg Wolitzer, author of The Uncoupling, The Ten-Year Nap, and The Position
Portraits of people marooned within themselves, trapped by their past experiences, by uncertainty and anxiety — individuals for whom each new situation is a grueling journey towards the present, a place where action and choice are possible. In Second World, Matt Cahill illustrates, with honesty and empathy, how the most important breakthroughs are not the life-altering revelations, but rather the minor miracles that get us through each day.