by Kelsey Robbins Lauder
A small-time internet scammer is shaken from her somewhat safe new life when an investigator arrives with questions to do with her erstwhile "period of moral decline" — specifically, the whereabouts of a young woman whose brief, bright friendship nearly steered her from the stability she now craves.
I TAKE THE SCENIC route even though I'm already fifteen minutes late. A stretch of wetland along Highway 101, south of my home, contains pearlescent-grey tree trunks. Their branches are broken away, none taller than a few metres. Tops jagged and broken. They fascinated me as a kid—still do, but without the mystery. I thought the trees petrified, perhaps turned to stone long ago. I realize now the colour comes from years of exposure to sea salt air and recognize the ghostly hue in the driftwood piled on the beach, but still those trees are granite in my mind, the water that runs through the marsh diseased.
Even now I slow my car as I pass, allow a pile of irritated drivers to crowd behind me. Unchanged. Perhaps it is not a poisoned place but a moment out of time, an error in the universe’s expansion.
Ten minutes later, I reach the outskirts of Depoe Bay and pull into Tidal Raves. It’s off season, still gloomy, so the restaurant’s parking lot is empty. This town is a small dip in highway speed limit, insignificant except for the countless summer rental houses and the stone wall that protects the main strip of shops from battered Pacific waves. It is a neutral ground.
I check the mirror before I get out. My eyeliner has smudged, and the bobby pins to keep my hair intact have fallen out. I rearrange a few and grab the sunglasses my boyfriend, Luke, left in the glove compartment. Cheap tactics run out, and I go inside.
IF I STOOD IN front of my peers, no doubt would they find me innocent of any wrongdoing, though guilty of criminal activity. People don’t mind when you scam insurance companies or steal from the corporate giants that slit our throats Monday through Friday. It’s when you hurt poor, innocent grannies that people burn you. I keep to the Robin Hood side, but truth be told it's too easy. Email some old lady, tell her you're in Mexico, she's already won a grand prize, say a yacht. A week after she pays the so-called border fees, a model boat appears in her mailbox. That's not me, but one piece of advice for anyone: there are bad guys everywhere. Doesn’t matter what it says on their passports.
In fact, I learned how to hustle from a Spaniard. A girl called Alba who came from Barcelona to study. I was in a period of moral decline: broke from a drug habit an ex-boyfriend dumped me with and carrying too much dead weight to clean my life up and maybe find a real job. Alba lived in the pantry of the old farmhouse we rented on the outskirts of Eugene. She would sit on the handlebars of my bike every morning we woke in time for class. We grew close in an instant, I charmed by her European exoticism and lack of sentimentality, she enraptured by my heavy sarcasm and eagerness to jump at anything shady.
The first time we ran the luggage scam, Alba ran point. I thought we should try both legs, but Alba warned subtlety and patience are the only saints of scam artistry. We begged a little cash out of our parents and took separate non-stop flights from PDX to John Wayne for spring break. With brand new credit cards, we shopped luxury names: clothes only, electronics are useless. The next day we’d return the coat or shoes or dress—not without a little heartbreak—but keep the receipt. The rest of the time we snorted lines off surfboards and rode beach cruisers in bikinis through sandy streets lined with million-dollar McMansions. The good life brushed against my fingertips, waiting for me to take hold.
about the author
KELSEY ROBBINS LAUDER is a writer from the Oregon Coast now pursuing her MFA at the University of Victoria. She also has published or forthcoming short fiction in EVENT and Little Fiction, and has served as an intern on the fiction board at The Malahat Review since 2013. She is currently working on a collection of short stories and a novel. She can be found on Twitter at @krlaudr.
from the library
When I'm Old, When I'm Grey
by Andrew Wilmot
After an unexpected malfunction, the technology which enables humanity to cross vast distances has separated an interstellar traveler from the love of her life — not in space, but in time. Now, while her companions remain in stasis, she must endure the loneliness of the journey until the moment her lover wakes.
Winner of the 2015 Friends of Merril Short Story Contest, When I'm Old, When I'm Grey imagines the strange — and strangely familiar — forms that fear and longing can take, as we venture forth into the unknown of the future.
of My Sound
by Andrew Forbes
Saxophonist Metche Hufu and his band are the talk of Addis Ababa, filling nightclubs and packing dance floors. But the precarious existence of this golden age of culture depends on an emperor’s benevolence - and when his power begins to wane, Metche Hufu's music threatens to be silenced by the sounds of a country torn apart.
“How do you give voice to a sax player silenced by the politics of his country? If you’re a jazz singer like Kurt Elling, you take Dexter Gordon’s solo on ‘Body and Soul’ from his Homecoming album and you turn it into vocalese. If your name is Andrew Forbes and your tenor sax player is Ethiopian and it is Addis Ababa 1973 and his musical idol is King Curtis, you write The Expansiveness of My Sound and what you write is wider, more straight-ahead, stronger with political fervour, sadder than Elling but every bit as smart. Forbes is doing it solo and you have to imagine the quartet behind him. Read it with your fingers tapping and you’ll catch the beat. Read it with your ears open and you’ll hear Metche Hufu’s body and soul. Dig it!”
— T. F. Rigelhof, author of Hooked on Canadian Books: The Good, the Better, and the Best Canadian Novels Since 1984
by Pauline Holdstock
After undergoing a cosmetic treatment to recover her lost youth, a middle-aged woman finds herself reconnected to her alienated daughter - a young woman still searching for her own path in life - in an unexpected and incredible way. A modern-day fable from two-time Scotiabank Giller Prize nominee Pauline Holdstock.
“Hers is the kind of prose you get lost in.”
— National Post on The Hunter and the Wild Girl
“Holdstock’s writing manages to be both heartbreakingly poetic and densely detailed ... sad passages, ghostlike recollections, written almost from the vantage point of the present, establish the book as a great work of fiction.”
— The Globe and Mail on Into the Heart of the Country, longlisted for the 2011 Scotiabank Giller Prize
“Holdstock, with a few deft strokes, pulls the reader into the tumultuous life of an alluring rabble of characters: painters, sculptors, patrons, fools, and slaves . . . In Beyond Measure, she proves herself a master of pacing. Her lively, macabre plot trips lightly along in spite of its dark elements.”
— The Globe and Mail on Beyond Measure, finalist for the 2004 Giller Prize and the 2004 Commonwealth Writers' Prize
Hansel, Gretel and Katie
by Seyward Goodhand
The depredations of a corrupt local government and the ravages of a harsh prairie winter force an ostracized but self-sufficient widow to open her home to innocents with nowhere else to turn. Journey Prize finalist Seyward Goodhand's effortless storytelling allows the humanity to shine through in this grim take on a classic tale.
by Caroline Adderson
Coming out of an unhappy relationship and a stint at an artist colony, Charlotte, a writer, takes a job teaching at a private ESL college. There she befriends Renata—audacious, sexy, and as changeable as Proteus. “I have a story for you,” Renata says to her one day over lunch. She doesn’t elaborate further, but Charlotte soon discovers that she has found in Renata an unexpectedly passionate and compelling subject.
“Caroline Adderson is such a graceful and intelligent writer that the work that must surely go into creating her hilarious, prismatic stories is never betrayed in the language. There is no strain on the page, not a bead of sweat. I think of her as a writer’s writer. I envy her talent and learn from her sentences. The short story, Obscure Objects, is, I’m happy to report, Adderson at her glorious best.”
— Barbara Gowdy, author of Helpless and The White Bone
“Obscure Objects, Caroline Adderson’s fierce and affecting workplace comedy, is a deadpan gem: droll, moving, snapping-smart.”
— Meg Wolitzer, author of The Uncoupling, The Ten-Year Nap, and The Position
by Marielle Mondon
At Georgetown University, a music student and part-time nude life model becomes involved with the first true passion of her life, a man who awakens her to the weight of experience she already possesses - as well as the ups and downs yet to come.
by Kayt Burgess
When Blanche first began singing, she was humble, eager, willing to work, willing to learn. Now she is headstrong, condescending, unprofessional, and just a tiny bit full of herself. She is also the closest to genius that Antoinette, her accompanist, may ever have a chance to work with.
Eleven Miles There,
Twelve Miles Back
by Meghan Rose Allen
Deep in the heart of Ontario cottage country, Izza Ingram’s biological family disintegrates when her parents become trapped in a moment Izza can barely remember. Lost to their parents, she and her sister Paulie form an unlikely family unit under the guidance of their parents’ friend Doug. In this trio of their own making, Izza, Paulie, and Doug try to navigate the differences between the families we are born into versus the families we choose.