by Dave Margoshes
Decades ago, when bands like the Everly Brothers rode the airwaves and vacancy signs shone like beacons in the night, a young man gets his first taste of love, loss, and the ethereal satisfaction that comes with knowing that the world is turning and life is being lived.
THE YEAR I WAS nineteen, I was in love with a girl for the first time, but it turned out badly. This was years ago, when things were different between boys and girls, men and women. Were they simpler then, or more complex? I don’t know.
There had been other girls I’d dated or liked or mooned over, but this was something else, adult love or something close to it, that transforming love they show us in the movies.
Her name was April. She was a desk clerk in a pink sweater, pleated grey skirt and black flats at the summer hotel in Pennsylvania’s Pocono Mountains where I was a waiter. My mother had sewn a black satin stripe sewn along the outer seam of my black chinos to make it official. April was blonde, brilliantly blue-eyed, always smiling. Her face poured out light. She was as different from me as day is from night, but she made me shine like a new penny. We didn’t get together until late in the season, just a week before she was to go home to Long Island early. Her parents had promised her a quick tour of Europe so she could decide if she wanted to spend her third college year there. It should have been a summer romance except that already it was something more.
At night, the basketball and shuffleboard court below the patio outside the bar became a dance floor, propelled by the music of bands on the weekends, crackling, hissing records the other evenings. We danced, the Everly Brothers and Dion and the Belmonts and the Five Satins tinny through the loudspeakers, then wandered down the moonlit path to the dock, the strains of “The Great Pretender” still in our ears. We walked along the lake, where night birds called from the bordering trees, to a sandy beach. We kissed and I put my hand on her thigh. She said “I don’t” or “I won’t” or perhaps “I can’t.” She was speaking so softly I couldn’t be sure, but without her actually saying so I understood she was a virgin, and I hesitated, drew back. “It’s okay,” I said, kissing her again, and in my hesitation—in that moment between things—something happened I wasn’t familiar with. The arc of my desire rose and rose and was transformed into something else. It surprised me, the feeling that welled up, not just then but later, as if my lungs had rapidly inflated with pressurized air and were bursting, a sensation I couldn’t put a name to.
In the fall, back at school, me in Vermont, she at Penn State, we wrote to each other, almost every day, and phoned, once a week, our letters and calls filled with news, trivial and urgent, and sweet talk. Neither of us had said the word, but I understood I loved her, and that she felt the same. The fact that we were apart, that there was so much distance between us, and that hesitation stood between us like a wall, made it all the sweeter.
At Christmas, my vacation began a few days earlier than hers. That timing allowed me to go home, just outside New York City, talk my parents into loaning me the family car, an old Chrysler, and drive to Pennsylvania. It was a long trip, through New Jersey on one Interstate highway to the Delaware Water Gap, then straight west on another halfway across Pennsylvania to State College. She lived in a dormitory and she was waiting in the lobby when I drove up—I’d called from a rest stop an hour or so away and said I would be there at three.
“Hurry,” she had said, and the briefness of our exchange struck me, yet it seemed in every way authentic.
The sun was still shining brightly in a blue sky that was clouding over as I began the last leg of the drive. The first flakes of snow started to fall only as I took the freeway exit. I followed her directions and found the building quickly and pulled the car up beside a sign that said “10-minute loading zone only” and got out, shaking my stiff legs. April came running out, an oatmeal wool cardigan over her shoulders, a yellow skirt swirling around her bare legs. It was certainly not an outfit for winter driving. She would have to change, slowing us down, but I understood that she had dressed for me, that it was a gift. We kissed and held each other in the gently falling snow, our cheeks growing wet, but we didn’t feel cold. No, we burned.
about the author
DAVE MARGOSHES' books include three novels, five volumes of poetry and a biography. God Telling a Joke and Other Stories will be his seventh collection of short fiction. He's had stories and poems published in dozens of magazines and anthologies in Canada and the United States (included six times in Best Canadian Stories), had work broadcast on CBC, and given readings and workshops across the country. He was a finalist for the Journey Prize in 2009. Along the way, he’s won a few awards, including the Stephen Leacock Prize for Poetry in 1996, the John V. Hicks Award for fiction in 2001 and the City of Regina Writing Award twice, in 2004 and 2010. His Bix’s Trumpet and Other Stories was Book of the Year at the Saskatchewan Book Awards and a finalist for the ReLit Award in 2007, and his poetry collection, Dimensions of an Orchard, won the Anne Szumigalski Poetry Prize at the 2010 Saskatchewan Book Awards. His A Book of Great Worth was one of Amazon.Ca’s Top Hundred Books of 2012.
by this author
Bright Lights on Broadway
by Dave Margoshes
Having lived a long, eventful life, Charlie Weinheimer’s only regret is that he has no one to carry on after him. After a near-death experience, he resolves to find out whether a secret buried in his past is proof he has a legacy after all.
“Margoshes gives us the life of Charlie Weinheimer: quadruple bypass patient, widower whose children all die tragically young, but not a whiner. In his hospital bed at age seventy-seven, he’s seen it all, right? Well, maybe not. Watch as Margoshes calls upon his raconteur skills to thicken the plot.”
— David Carpenter, winner of the 2010 Saskatchewan Book Award for A Hunter’s Confession
from the library
This Is a Love Crime
by Lee Kvern
Marta is a human resources employee at a grocery store chain. She moves through the days passively, always taking the path of least resistance, until a case at work - that of a hijab-wearing woman, in defiance of a strict no-hats policy - awakens her to the injustices of her own life.
“This Is a Love Crime by Lee Kvern is a cunning and intensely human look at one of the central issues of our time. It negotiates the space between belief, racism, liberty, and sexuality with curiosity and compassion.”
— Todd Babiak, bestselling author of Toby: A Man and The Garneau Block
“Lee Kvern paints with a scalpel. With characteristic unflinching honesty, she peels the relationship between Marta and Corbin back to quivering nerves in This Is a Love Crime and juxtaposes it against veiled assumptions about cultural oppression. The narrative leaps crackle with energy and empathy. When I read Kvern’s stories, I’m seduced by exquisite detail and—love or loathe them—left with the scent of her characters long after the last page.”
— Betty Jane Hegerat, author of Delivery and The Boy
“In This Is a Love Crime, Lee Kvern uses the intricately drawn characters of Corbin and Marta to explore the charged topics of ethnicity and Western modes of submission and control. Written in Kvern’s distinctive, poetic, and multi-layered style, the story leaves us with warm insight into all the characters—and challenges our hearts and preconceptions.”
— Barb Howard, author of Whipstock, Notes for Monday, and The Dewpoint Show
Trigger Finger Blues
by Chad Pelley
Marcel, a sensitive sniper, knew his life was missing something. But he didn't know what until he set his crosshairs on it: Violet Caine. A ginger-headed lover of Thai food, wanted dead simply because her brother messed with the wrong bike gang. It's a story of redemption coming too late, and the ways happenstance can turn a warm man cold. Then warm again. Whether fate wrote his troubled life, or he wrote it himself, he wants Violet Caine to be the end of it - be it figuratively or literally.
by Jack Bootle
On an isolated English beach a man looks back on his school days, recalling the joy and torment of a secret love affair with a boy full of strange ideas, a boy obsessed with the language of the King James Bible. Moments from their relationship return to him: the hidden meetings on the beach, the first attempts at sex, the boredom of a school assembly in summertime, the cruelty of a young English teacher. But most of all he remembers the boy’s words. They’re words that, years later, will haunt him as he tries to come to terms with the person he has become.
“Psalm 77 is the type of story that one wants to read over and over, searching for meanings previously unseen. It is laced with the hidden, the secret, the sacred. From the sand dunes and their private longings in school to the verses, the imagery, and the final paragraphs, there is so much to uncover . . ." (Read full review)
— Amanda Miller from shortsundone.ca
If You Waited Here, You Would
See Almost Everything
by Danny Goodman
After Ray collapses on the sidewalk outside a New York coffee shop, the bittersweet vagaries of his long marriage come into focus, one heartbeat at a time. From his new vantage point, flat on his back, all their conflicts are laid out against a canvas of sky, contrasting miscommunications and infidelities against something slower, steadier, and ultimately much vaster than he ever realized.
by Kayt Burgess
When Blanche first began singing, she was humble, eager, willing to work, willing to learn. Now she is headstrong, condescending, unprofessional, and just a tiny bit full of herself. She is also the closest to genius that Antoinette, her accompanist, may ever have a chance to work with.
The Psychology of Animals Swallowed Alive:
by Kirsty Logan
Embark upon these twenty short, scrumptious flights of fancy from the unmistakable pen of Scott Prize-winning author Kirsty Logan, and you will be astounded, titillated, disturbed, amused, heartbroken, and above all, astonished.
“Logan crafts an exquisitely wrought diorama full of tenderly compelling characters; observations about grief, worship, social order, and human nature, and a love that transcends definition.”
– NPR on Logan's debut novel The Gracekeepers
Eleven Miles There,
Twelve Miles Back
by Meghan Rose Allen
Deep in the heart of Ontario cottage country, Izza Ingram’s biological family disintegrates when her parents become trapped in a moment Izza can barely remember. Lost to their parents, she and her sister Paulie form an unlikely family unit under the guidance of their parents’ friend Doug. In this trio of their own making, Izza, Paulie, and Doug try to navigate the differences between the families we are born into versus the families we choose.