by Courtney McDermott
At the Chickasaw Motel, three generations of the McGuinness clan are led by their elderly and overbearing patriarch. Only little Riley, “the smartest f-ing kid”, is spared the brunt of Grandpa McGuinness’s cruelty; ironically, it is his encouragement that provides her with a way out.
OFF THE MAIN HIGHWAY of Chickasaw, resting in front of a backdrop of soybean fields and an auto parts garage blackened by the touch of an old fire, lies a motel with eight rooms.
I’m not here for a room. I’m not a stranger to the town. The Chickasaw Motel is where I grew up with Grandpa McGuinness and the rest of the clan. I guess it would’ve once been called my home, but only in name, not in definition.
It doesn’t live up to my mind’s memory. Maybe it’s because the paint on the shutters is peeling and the roof has caved in or because the four southern rooms have been turned into apartments and the building next door was torn down. Or maybe I’m not really seeing it because too many memories cloud my mind.
I sit down on the front stoop of the motel entrance, watching the occasional car go by. The highway used to be busy, a few years ago. Before the bypass was built. Back then, we all lived here: Grandpa and Grandma, Papa and Mom, Morgan, Uncle Chet, and me. Yeah, it seems like a long time ago.
THE MOTEL WAS BUILT in the sixties, when the only thing on Grandpa McGuinness’ mind was not the war or drugs or the feminist movement—though that worried him a bit—but how to make money when his business was just taking off and he was $10,000 in debt.
Grandpa McGuinness was the sort of businessman who would charm you with a clever joke about the current president, shake your hand firmly, and wink at you as though you were sharing a funny secret. He could put anyone at ease. Though he was a tough haggler, he was always honest. When it came to business, he never cheated anyone in his life.
“That’s the difference between me and them English bastards,” he would tell me. “Never trust an Orangeman.” Grandpa McGuinness was always giving advice like that—advice that only applied to some old-world beliefs. I remember the first thing he told me by way of advice. “You’re not too young to be reciting the rosary every night. Every good Catholic should do it. Sacrifice every once in a while—that’s the key.”
“The key to what?” I asked.
Grandpa McGuinness didn’t answer. He just nodded, a cigarette cradled between his lips. At times like that, my papa would sit silently by, smoking and coughing, watching my grandpa and me.
Grandpa McGuinness and Grandma Eva had nine children. I suppose that made Grandpa McGuinness the child expert, though they hadn’t had much luck. One died when she was four months old, and I don’t even know her name. Ian and Thomas were declared MIAs during Vietnam, at which time Grandpa McGuinness decided to start over and moved across town to buy the motel.
The other six had been slight disappointments. Cari died in a tractor accident before too much was expected of him, and the four eldest left the McGuinness clan to do the sorts of things that Grandpa McGuinness disapproved of. Mary Elizabeth married a Protestant minister; Brian moved to New York to become an actor; Chet left home only to come back; and Kathleen joined the circus. That left the youngest—my papa, Shay—to be Grandpa’s protégé.
Not fit for the big cities or college, Papa stayed on with the motel. He started his own business in foreign auto parts in the backyard.
My sister, Morgan, and I were the third generation to live in the motel. Grandpa McGuinness and Papa had converted two of the motel’s rooms into living quarters and added a kitchen and a bedroom off the back for Papa and Heather, my mom.
I never minded the suffocating size of my home, not until I was eleven and I brought home Jamey Schwickerath. The next day, she went back to school telling everyone that “Riley McGuinness is one step up from trailer trash. The only difference is her trailer has a basement.”
Everything in our home was worn and suffering. The tile in the bathroom was missing, and the sink dripped to the beat of an Irish pub song. The carpet of our living room was thin and speckled brown, like leaves fallen on the ground in autumn. If I pulled really hard on threadbare patches, the carpet would tear and Mom would scold me.
There was a time when the stray cat that we took in, Muriel, had fleas, and then Morgan and I got fleas. I prayed to Jesus that no one at school would find out. It was miserable sitting in class trying not to scratch the red bumps, but eventually I gave in and had to rub my ankles together to relieve some of the itch. Mom bought the special red shampoo for our hair and burned the rug from our bedroom.
On days like that, Mom would go to her bedroom and cry.
“I never wanted to live like this!” she would sob into her pillow, as Morgan and I eavesdropped from the other side of the door. I didn’t know who she was talking to, but Morgan was pretty sure it was God.
about the author
from the library
by Jack Bootle
On an isolated English beach a man looks back on his school days, recalling the joy and torment of a secret love affair with a boy full of strange ideas, a boy obsessed with the language of the King James Bible. Moments from their relationship return to him: the hidden meetings on the beach, the first attempts at sex, the boredom of a school assembly in summertime, the cruelty of a young English teacher. But most of all he remembers the boy’s words. They’re words that, years later, will haunt him as he tries to come to terms with the person he has become.
“Psalm 77 is the type of story that one wants to read over and over, searching for meanings previously unseen. It is laced with the hidden, the secret, the sacred. From the sand dunes and their private longings in school to the verses, the imagery, and the final paragraphs, there is so much to uncover . . ." (Read full review)
— Amanda Miller from shortsundone.ca
The Psychology of Animals Swallowed Alive:
by Kirsty Logan
Embark upon these twenty short, scrumptious flights of fancy from the unmistakable pen of Scott Prize-winning author Kirsty Logan, and you will be astounded, titillated, disturbed, amused, heartbroken, and above all, astonished.
“Logan crafts an exquisitely wrought diorama full of tenderly compelling characters; observations about grief, worship, social order, and human nature, and a love that transcends definition.”
– NPR on Logan's debut novel The Gracekeepers
by Andrew Forbes
An electrical engineer who has lost almost everything - his marriage, his job, his father - retreats to his garage to re-evaluate and reorganize the various loose ends of his life, and ends up assembling a thermonuclear device instead.
The Last Judgment
by Maria Meindl
Charlotte is on the cusp of adolescence, and her world is being turned upside down. Unable to turn to her distant mother or absent father, she searches for guidance on the streets of downtown Toronto—and discovers God (or some version of Him) in the gutter.
“The Last Judgment is a story that penetrates into the heart of childhood sadness. Charlotte is without tools to fix what is broken, except for the incredible force of her will. The connections she makes between religion, parental failure, sexuality, and love make perfect sense because they are told in her bell-clear voice. This story is warm and tragic and, at moments, grimly funny.”
— Rebecca Rosenblum, author of Once and Road Trips
by Cynthia Flood
New wife and mother Julie is a woman struggling to find her place. Her dilemmas, while modest, feel harsh, and reflect the ways in which women were once denied control over their own bodies. Her first steps toward independence bring great pain—and not only to herself. With sparing, incisive prose, Cynthia Flood unravels what it meant to be a married woman in post-war era Vancouver, creating an evocative and even unsettling experience for the reader.
“With a precision of language that startles and delights, Cynthia Flood offers glimpses of those moments in which the essence of an entire life is revealed.”
— Nancy Richler, author of The Imposter Bride
“What a great story! Told in terse, restrained sentences, yet opening to a lush and radiant heart, Addresses captures the anguish of a marriage gone off the rails, and the moments of redemption that arrive from unexpected places. Flood’s use of language is uniquely her own–staccato, clean as a knife, and brilliant. Cynthia Flood has done it again.”
— Shaena Lambert, author of Radiance
“The abruptness of the title tells so much about this exquisitely drawn story by Cynthia Flood. ‘Tell the truth but tell it slant,’ Emily Dickinson advised, and that’s always been the approach Flood has preferred for her bone-china fictions, edging into them sideways. Once escorted into the story’s arrhythmic heart, we readers have no choice but to immerse ourselves in a world long gone but still very much with us, to emerge both shaken and stirred.”
— Dave Margoshes, author of A Book of Great Worth
by Nancy Branch
In the rugged Nepisiguit River region of northern New Brunswick, two hunters face off. One is local sports lodge employee Danny Knockwood, a Mi’gmaw guide with a withered hand. The other is Mui’n, a one-eared black bear battling his inexorable hunger. When Danny is charged by the lodge owner to hunt down the bear that is frightening guests at the salmon pools, his personal values come into sharp conflict with his commitment to the task. The resulting confrontation tests both his physical strength and his beliefs, as Danny begins to recognize a kindred spirit within the fiercely determined bear.
by Don McLellan
Father Michael, in his final assignment, has been asked by his Order to help facilitate recovery of an Asian country blighted by war. On the long odyssey into the interior, his driver and translator Trang tells him a story set in a once-famed traveller’s refuge known as the Inn of Tender Embraces. What starts as a simple tale of ill-fated lovers becomes, for Father Michael, a familiar beacon that guides him through the mists of an exotic landscape.
“Don McLellan is the kind of wise, well-travelled writer we don’t see much of these days. With Angels Passing he earns the right to be included in the exotic tradition of Hemingway, Maugham, and Graham Greene. Like all memorable writing, his story takes us to another world and holds us there. As spare and subtle as it is powerful, Angels Passing will linger in your mind long after the last page.”
— John Lekich, Governor General’s Award Finalist for The Losers’ Club
In the Afternoon
by Laure Baudot
Catherine wants what Richard has: a richly decorated house, and a perfect, lavished-upon baby. Catherine also wants Richard: a disaffected diplomat whose true passion is for cinema. But Catherine is only the babysitter, and her envy—and its fallout—come to the fore when Richard is accused of a crime, and she must decide whether to help exonerate him.
“Laure Baudot’s prose is exquisite, patient, and sophisticated. In the Afternoon immerses you in the fascinating and complicated mind of a babysitter who is wise beyond her years, yet dangerously impulsive at the same time. This story is irresistible and heartbreaking.”
— Sarah Selecky, author of the 2010 Giller Prize–shortlisted collection This Cake Is for the Party