by Caroline Adderson
Coming out of an unhappy relationship and a stint at an artist colony, Charlotte, a writer, takes a job teaching at a private ESL college. There she befriends Renata—audacious, sexy, and as changeable as Proteus. “I have a story for you,” Renata says to her one day over lunch. She doesn’t elaborate further, but Charlotte soon discovers that she has found in Renata an unexpectedly passionate and compelling subject.
“Caroline Adderson is such a graceful and intelligent writer that the work that must surely go into creating her hilarious, prismatic stories is never betrayed in the language. There is no strain on the page, not a bead of sweat. I think of her as a writer’s writer. I envy her talent and learn from her sentences. The short story, Obscure Objects, is, I’m happy to report, Adderson at her glorious best.”
— Barbara Gowdy, author of Helpless and The White Bone
“Obscure Objects, Caroline Adderson’s fierce and affecting workplace comedy, is a deadpan gem: droll, moving, snapping-smart.”
— Meg Wolitzer, author of The Uncoupling, The Ten-Year Nap, and The Position
HOT IN SUMMER, COLD in winter—as though weather reached us in the staff room. Not so: the room was unfenestrated. What actually blew over us were the perversely inverted whims of the A/C system. Here each teacher was assigned a carrel. It felt so much like a stall that after I finally left for good I blamed it, the carrel, for the near-bovine sense of complacency that kept me working there an entire year. In the facing carrel, tête-à-tête to me, though I couldn’t see her when we were both seated, was a woman I’d known slightly in university, Janine. Janine with the memorable hair. Even her eyebrows and lashes and the fuzz on her arms were a deep bronze. Yet it was she who recognized me first. She stood up in her carrel and, from her higher vantage, looked down into mine where I was arranging my things the day I was hired. “So, Charlotte,” she said. “Is this it? The inexorable end to a degree in creative writing?”
A honey-haired head popped up over the partition to my left. This was Renata, who gave me this story. She looked at me with curiosity. Later I met Sterling, who was serving time behind the right partition, ball-and-chained there by Practical English Usage. He was the one who first described the room as unfenestrated. A half-dozen or so other colleagues also toiled there, thanklessly.
In the same small room was a metal supply cupboard with a lock, the combination a countdown: ten-nine-eight. Every time we took a pencil or a stick of chalk we had to update the inventory posted inside the door and initial it so management could keep track of who was using what. The photocopy machine churned away in the corner, a beige satanic mill. There were no class texts. We photocopied chapters, which made competition for the machine especially cutthroat the fifteen minutes before class. In fact, we might have developed some rapport as a staff despite the isolating carrels if not for the way the machine pitted us one against the other, and the continuous noise of it, its insatiable demand for toner that no one wanted the grubby job of adding, its serial jams, the blinking green light on the map on the inside panel that supposedly indicated the precise location of the jam, which was usually so deep within the hot gears and plates that no fingers dared go there, if not for the obvious disgust of the briefcased repairman who appeared every few days to minister to the overworked machine. We could tell he thought it was a shitty place to work. All this divided us, just as management wanted it. They were terrified we would unionize.
about the author
CAROLINE ADDERSON is the author of four novels (A History of Forgetting, Sitting Practice, The Sky is Falling, Ellen in Pieces), two collections of short stories (Bad Imaginings, Pleased to Meet You), and three books for young readers (Very Serious Children,I, Bruno, Bruno For Real). Her work has received numerous prize nominations including the Scotiabank Giller Prize longlist, the Governor General's Literary Award, the Rogers Writer's Trust Fiction Prize, and the Commonwealth Writers' Prize. A two-time Ethel Wilson Fiction Prize and three-time CBC Literary Award winner, Caroline was also the recipient of the 2006 Marian Engel Award for mid-career achievement.
from the library
by Nancy Branch
In the rugged Nepisiguit River region of northern New Brunswick, two hunters face off. One is local sports lodge employee Danny Knockwood, a Mi’gmaw guide with a withered hand. The other is Mui’n, a one-eared black bear battling his inexorable hunger. When Danny is charged by the lodge owner to hunt down the bear that is frightening guests at the salmon pools, his personal values come into sharp conflict with his commitment to the task. The resulting confrontation tests both his physical strength and his beliefs, as Danny begins to recognize a kindred spirit within the fiercely determined bear.
by Dave Margoshes
Decades ago, when bands like the Everly Brothers rode the airwaves and vacancy signs shone like beacons in the night, a young man gets his first taste of love, loss, and the ethereal satisfaction that comes with knowing that the world is turning and life is being lived.
In the Afternoon
by Laure Baudot
Catherine wants what Richard has: a richly decorated house, and a perfect, lavished-upon baby. Catherine also wants Richard: a disaffected diplomat whose true passion is for cinema. But Catherine is only the babysitter, and her envy—and its fallout—come to the fore when Richard is accused of a crime, and she must decide whether to help exonerate him.
“Laure Baudot’s prose is exquisite, patient, and sophisticated. In the Afternoon immerses you in the fascinating and complicated mind of a babysitter who is wise beyond her years, yet dangerously impulsive at the same time. This story is irresistible and heartbreaking.”
— Sarah Selecky, author of the 2010 Giller Prize–shortlisted collection This Cake Is for the Party
by Don McLellan
Father Michael, in his final assignment, has been asked by his Order to help facilitate recovery of an Asian country blighted by war. On the long odyssey into the interior, his driver and translator Trang tells him a story set in a once-famed traveller’s refuge known as the Inn of Tender Embraces. What starts as a simple tale of ill-fated lovers becomes, for Father Michael, a familiar beacon that guides him through the mists of an exotic landscape.
“Don McLellan is the kind of wise, well-travelled writer we don’t see much of these days. With Angels Passing he earns the right to be included in the exotic tradition of Hemingway, Maugham, and Graham Greene. Like all memorable writing, his story takes us to another world and holds us there. As spare and subtle as it is powerful, Angels Passing will linger in your mind long after the last page.”
— John Lekich, Governor General’s Award Finalist for The Losers’ Club
by Star Spider
In the late 60s, the newest member of a group of all-female pearl divers — the ama — sees her life, and the lives of those dear to her, disrupted by an unlikely force: a James Bond film that sends American men to Japan in search of their own personal 'mermaids'.
by Lana Storey
Some time after the incomprehensible death of his son, Joan Miró has settled into his new job working the overnight shift at a Hasty Market in Toronto. He has plenty of time to think beneath the fluorescent lights of the convenience store: of ghosts and late nights, of downtown living and dying, of customer service and self-preservation, of the beauty of the night sky, and of the attempts people make to connect with one another despite seemingly insurmountable distances. These fragments of life prove as difficult to make sense of as any code—until one night, when an extraordinary series of events suddenly teases a pattern from the dark.
“In this graceful, dark, and nuanced piece, Lana Storey reveals a private man unhinged by grief. These are events—and this a narrative—that will stay in my mind for a long time. Never one to shirk from difficult truths, Lana Storey writes in the tradition of George Saunders: an original, at times disturbing, but ultimately transformative worldview.”
— Carolyn Smart, author of Hooked: Seven Poems and At the End of the Day
“Cross Yourself is Lana Storey’s gorgeous swirling image constellation, a story about a man becoming unhinged from the universe and finding redemption in a downtown Hasty Market convenience store. A vibrant, beating heart of a short fiction, Cross Yourself is a vortex worth being pulled into.”
— Kathryn Kuitenbrouwer, author of the 2005 Amazon.ca/Books in Canada First Novel Award finalist The Nettle Spinner
Laws of Flight
by Darren Greer
An imaginative and resonant work of speculative literature from ReLit Award-winning author Darren Greer. Twin brothers, born on an oppressive family farm, discover a miraculous way to escape the dreariness of their lives, charting a course that promises equal measures of wonder and heartbreak.
Eleven Miles There,
Twelve Miles Back
by Meghan Rose Allen
Deep in the heart of Ontario cottage country, Izza Ingram’s biological family disintegrates when her parents become trapped in a moment Izza can barely remember. Lost to their parents, she and her sister Paulie form an unlikely family unit under the guidance of their parents’ friend Doug. In this trio of their own making, Izza, Paulie, and Doug try to navigate the differences between the families we are born into versus the families we choose.