by Nancy Branch
In the rugged Nepisiguit River region of northern New Brunswick, two hunters face off. One is local sports lodge employee Danny Knockwood, a Mi’gmaw guide with a withered hand. The other is Mui’n, a one-eared black bear battling his inexorable hunger. When Danny is charged by the lodge owner to hunt down the bear that is frightening guests at the salmon pools, his personal values come into sharp conflict with his commitment to the task. The resulting confrontation tests both his physical strength and his beliefs, as Danny begins to recognize a kindred spirit within the fiercely determined bear.
IN HIS WINTER DEN below the upturned roots of a white pine, lying on a bed of balsam fir and scraped-up bits of forest duff, Mui’n awoke. The bear thrust his snout towards the narrow shaft of light from his breathing hole, ringed with ice formed by the heat of his breath. Hooking the curved claws of one large forepaw around the edge of the air vent, he pushed. A second taloned paw followed and pushed with greater force until hardened layers of snow exploded into the air. Mui’n’s front legs appeared and then his head, low to the ground, his tan-coloured nose twitching, his pink tongue tasting the air, his eyes, black and inscrutable, squinting against the insult of sunlight. Snow spilled from above one ear, the other having been torn away long ago in an escape from a Two-paw trap. The bear paced in front of his winter home, sleep-dazed, and then moved away from the stink of the den into the hungry spring.
ROLLING ONTO HIS SIDE in his bunk, Danny Knockwood pulled the grey wool blanket over his head against the sunlight pouring in through the cabin windows. Tegig, he thought, shivering. Spring sun had little warmth. Rooting deeper into a heated pocket of his bedding, Danny dozed but suddenly sat upright in the frosted morning.
“Moo elowtinook. Useless thing,” he muttered as he rubbed the numbness out of the withered hand that always gave him trouble when he overslept. In truth, the twisted appendage was not as debilitating as it appeared. Danny had learned to compensate for what nature had failed to give him. Sometimes he had to tie his left hand to the stock of his rifle when he was tracking, or prop the barrel of the gun across his elbow before taking a shot, but it never kept him from bagging game. And in his business, that was all that mattered.
“Christ, he’s a gimp,” an American sportsman had said the first day Danny had shown up for work as a guide for the Williamson Lumber Company Sports Lodge. “What kinda operation is this, anyways? Don’t want some fuggin’ gimp guidin’ us.”
But wobégwei had said little against him on his second day. The second day, Danny had appeared for work wearing a fierce, black-eyed scowl, his long hair flowing loose from under a bandana, and his shoulder-slung rifle tied with a raven feather painted to resemble an eagle’s. That day their tongues hadn’t wagged quite so much. And they’d said even less after Danny swiftly brought down the twelve-point buck one of the loudmouths had wounded with a piss-poor shot.
about the author
Maritime-born NANCY BRANCH holds an M.Ed. from the University of New Brunswick, Fredericton. She now lives with her husband and son in Sherbrooke, Quebec, where she teaches Business English and English as a Second Language at Bishop’s University. One of her short stories has recently been published in The Mitre, Canada’s oldest literary journal. She is currently at work on a book of interconnected fiction stories entitled Journey Home, set on the Bay of Chaleur coast in northern New Brunswick.
from the library
The Last Judgment
by Maria Meindl
Charlotte is on the cusp of adolescence, and her world is being turned upside down. Unable to turn to her distant mother or absent father, she searches for guidance on the streets of downtown Toronto—and discovers God (or some version of Him) in the gutter.
“The Last Judgment is a story that penetrates into the heart of childhood sadness. Charlotte is without tools to fix what is broken, except for the incredible force of her will. The connections she makes between religion, parental failure, sexuality, and love make perfect sense because they are told in her bell-clear voice. This story is warm and tragic and, at moments, grimly funny.”
— Rebecca Rosenblum, author of Once and Road Trips
The Psychology of Animals Swallowed Alive:
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Embark upon these twenty short, scrumptious flights of fancy from the unmistakable pen of Scott Prize-winning author Kirsty Logan, and you will be astounded, titillated, disturbed, amused, heartbroken, and above all, astonished.
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– NPR on Logan's debut novel The Gracekeepers
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In the late 60s, the newest member of a group of all-female pearl divers — the ama — sees her life, and the lives of those dear to her, disrupted by an unlikely force: a James Bond film that sends American men to Japan in search of their own personal 'mermaids'.
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A woman wakes up in bed beside her ex-boyfriend and is at loss to explain how she got there. Inexplicably drawn to stay, she scours every square inch of the apartment they used to share, noting the traces of her presence that linger on, as well as the empty spots that conspicuously mark her absence. The deeper she digs, the more she understands how imperfect her relationship was – and the less willing she is to come up for air.
If You Waited Here, You Would
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After Ray collapses on the sidewalk outside a New York coffee shop, the bittersweet vagaries of his long marriage come into focus, one heartbeat at a time. From his new vantage point, flat on his back, all their conflicts are laid out against a canvas of sky, contrasting miscommunications and infidelities against something slower, steadier, and ultimately much vaster than he ever realized.
This Is a Love Crime
by Lee Kvern
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“This Is a Love Crime by Lee Kvern is a cunning and intensely human look at one of the central issues of our time. It negotiates the space between belief, racism, liberty, and sexuality with curiosity and compassion.”
— Todd Babiak, bestselling author of Toby: A Man and The Garneau Block
“Lee Kvern paints with a scalpel. With characteristic unflinching honesty, she peels the relationship between Marta and Corbin back to quivering nerves in This Is a Love Crime and juxtaposes it against veiled assumptions about cultural oppression. The narrative leaps crackle with energy and empathy. When I read Kvern’s stories, I’m seduced by exquisite detail and—love or loathe them—left with the scent of her characters long after the last page.”
— Betty Jane Hegerat, author of Delivery and The Boy
“In This Is a Love Crime, Lee Kvern uses the intricately drawn characters of Corbin and Marta to explore the charged topics of ethnicity and Western modes of submission and control. Written in Kvern’s distinctive, poetic, and multi-layered style, the story leaves us with warm insight into all the characters—and challenges our hearts and preconceptions.”
— Barb Howard, author of Whipstock, Notes for Monday, and The Dewpoint Show
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Marcel, a sensitive sniper, knew his life was missing something. But he didn't know what until he set his crosshairs on it: Violet Caine. A ginger-headed lover of Thai food, wanted dead simply because her brother messed with the wrong bike gang. It's a story of redemption coming too late, and the ways happenstance can turn a warm man cold. Then warm again. Whether fate wrote his troubled life, or he wrote it himself, he wants Violet Caine to be the end of it - be it figuratively or literally.
by Andrew Forbes
In a suburb that is nowhere and everywhere, Jorgen deals with the feelings of alienation and frustration from his collapsing relationship by getting into his car, putting on Patti Smith, and searching for meaning and belonging anywhere he can — regardless of whether he is welcome or wanted.