by Grace O'Connell
After twenty years of running, Betty quietly returns to her hometown of Arbford, thinking it a solid place to finally put down some roots. But the adage 'you can't go home again' proves true, as Betty finds that her mere presence is more than enough to disrupt the stagnant lives of everyone around her.
“In this cautionary suburban fairy tale, a big-city refugee searching for home finds herself in a nest of multiple Mikes and Pyrex-wielding vipers. With enchanting style and snort-causing wit, Grace O’Connell does casserole-studded claustrophobia like nobody’s business.”
— Jessica Westhead, author of And Also Sharks and Pulpy & Midge
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BETTY HAD NOT BEEN the right type of name in the city, but when she arrived in Arbford, Betty found it was just right. There were several other Bettys in town; this was seen as a good thing. Arbford was not a town of Madisons and Mackenzies; in fact, Arbford was not a town at all, but a village, and barely that. But no one said village. Everyone said “You make the best borscht in town,” or “No one in this town’s pitched like that since Jeremy Frankel.” Betty was careful to pick up on these things, these local customs. She could remember some things, vaguely, for she herself had grown up in Arbford. But that had been more than twenty years ago, before she had packed a suitcase and run away to the city before the junior prom. She wanted to be an actress and a dancer and get away from her father, whom Betty had sensibly confirmed was dead in a pauper’s grave before she ever thought of going back. When she arrived on the bus with blond hair and a different last name, she didn’t mention that she was that Betty and let herself get shown around town as if she’d never been there, sweating in the heavy heat of early fall. No one recognized her; a disappointment and a relief.
IN THE CITY, ON her mirror at the theatre, one of the other girls had taped a sign: YOU CAN’T GO HOME AGAIN.
“Keeps me from running back with my tail between my legs,” the girl had said. She was pretty, with hound-dog eyes and pale nipples she coloured with lipstick to make them stand out.
“But why can’t you,” said Betty, “if you want to.”
The other girl laughed. “If wanting made things real, I’d be living in a posh hotel and eating steak every day. I’d have a nice husband with good hands and a big thing. I’d have a white horse with blue eyes and I would be able to ride him wherever I wanted, right down the middle of the goddamn street if I wanted. Wanting isn’t enough.”
And Betty had nodded, but later, she thought that she didn’t really believe that girl was right.
WHEN BETTY GOT TO Arbford, she needed a job. She had some money left over, but not much. With the money she had, she rented a little flat above a store that sold hot tubs and saunas and above-ground pools and accessories to go with it all. The store was in a plaza with three other stores and a wide, cracked parking lot. When Betty needed a job, she went downstairs to the hot tub store and said, “I need a job.”
The man who owned the store was there. He had on a short-sleeved collared shirt and a name tag that said Mike.
“I don’t really need anybody right now. Maybe one day a week. Would that work?”
“Not really. I need something full time. I live upstairs. In the apartment upstairs.”
Mike nodded. “Yeah, I recognize you. You’re Betty.” He took a pen out of his pocket and chewed thoughtfully on the end. He wasn’t an elderly man; he looked about the same age as Betty. On his temples there were handsome fans of white hair, but his moustache was brown throughout.
“Let me go see about something, Betty. You wait here.”
Putting his pen down on the counter, Mike went out the door and turned left, toward the candy store. A few minutes later Betty saw him go by in the opposite direction, toward the pet store and the little twelve-seat diner. Betty thought about picking up the pen and putting it into her own mouth.
When Mike came back he said, “Okay, here’s the deal. We’ll hire you. You can work Monday for me, Tuesday for Mike, Wednesday for Mike, Thursday for Mike, and then on Fridays, we’ll see who needs your help the most. How does that sound?”
Betty said it sounded just fine to her and thank you very much. She stood for a moment longer and then asked, “On Monday I work for you, and on Tuesday I work for Mike?”
Mike let out a big belly laugh, like a skinny Santa Claus. It made Betty wonder what he would be like when drunk.
“Guess you haven’t met too many people yet,” he said. “We’re all named Mike, all four of us in the plaza. Mike owns the candy store, Mike owns the diner, and Mike owns the pet shop. Understand?”
“Can you start tomorrow at the candy store? Mike said he could use a hand sorting through some comics and whatnot.”
That is how Betty came to work for the plaza. The stores were lined up in a row facing Main Street. Behind them was the river. Above them was Betty, walking barefoot at night, too hot to sleep.
about the author
GRACE O'CONNELL lives in Toronto. Her work has appeared in various publications including The Walrus, Taddle Creek, Quill and Quire, and EYE Weekly, and she holds an MFA in creative writing. She has taught creative writing at George Brown College and now works as a freelance writer and editor. Her first novel, Magnified World, was published in 2012 by Random House Canada.
from the library
Trigger Finger Blues
by Chad Pelley
Marcel, a sensitive sniper, knew his life was missing something. But he didn't know what until he set his crosshairs on it: Violet Caine. A ginger-headed lover of Thai food, wanted dead simply because her brother messed with the wrong bike gang. It's a story of redemption coming too late, and the ways happenstance can turn a warm man cold. Then warm again. Whether fate wrote his troubled life, or he wrote it himself, he wants Violet Caine to be the end of it - be it figuratively or literally.
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Romance is candlelight on cheekbones, blurring gazes and the press of heels on strange sheets. But what happens a year later? You’re sharing bath towels and bickering over who forgot to buy a light bulb. There is beauty in a familiar hand on the nape of your neck. There is love in waking up under a shared blanket. This story is about the romance of domesticity.
“Kirsty is one of the best and brightest . . . when I read her stuff I feel like I could taste it, chew it, roll it around on my tongue, the language is so delicious and sturdy and musical. She also has a knack for getting relationships exactly right in her writing, whether between parent and child or lovers or friends.”
— Amber Sparks, Fiction Editor at Emprise Review
by Star Spider
In the late 60s, the newest member of a group of all-female pearl divers — the ama — sees her life, and the lives of those dear to her, disrupted by an unlikely force: a James Bond film that sends American men to Japan in search of their own personal 'mermaids'.
by Lana Storey
Some time after the incomprehensible death of his son, Joan Miró has settled into his new job working the overnight shift at a Hasty Market in Toronto. He has plenty of time to think beneath the fluorescent lights of the convenience store: of ghosts and late nights, of downtown living and dying, of customer service and self-preservation, of the beauty of the night sky, and of the attempts people make to connect with one another despite seemingly insurmountable distances. These fragments of life prove as difficult to make sense of as any code—until one night, when an extraordinary series of events suddenly teases a pattern from the dark.
“In this graceful, dark, and nuanced piece, Lana Storey reveals a private man unhinged by grief. These are events—and this a narrative—that will stay in my mind for a long time. Never one to shirk from difficult truths, Lana Storey writes in the tradition of George Saunders: an original, at times disturbing, but ultimately transformative worldview.”
— Carolyn Smart, author of Hooked: Seven Poems and At the End of the Day
“Cross Yourself is Lana Storey’s gorgeous swirling image constellation, a story about a man becoming unhinged from the universe and finding redemption in a downtown Hasty Market convenience store. A vibrant, beating heart of a short fiction, Cross Yourself is a vortex worth being pulled into.”
— Kathryn Kuitenbrouwer, author of the 2005 Amazon.ca/Books in Canada First Novel Award finalist The Nettle Spinner
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A small-time internet scammer is shaken from her somewhat safe new life when an investigator arrives with questions to do with her erstwhile "period of moral decline" — specifically, the whereabouts of a young woman whose brief, bright friendship nearly steered her from the stability she now craves.
Bright Lights on Broadway
by Dave Margoshes
Having lived a long, eventful life, Charlie Weinheimer’s only regret is that he has no one to carry on after him. After a near-death experience, he resolves to find out whether a secret buried in his past is proof he has a legacy after all.
“Margoshes gives us the life of Charlie Weinheimer: quadruple bypass patient, widower whose children all die tragically young, but not a whiner. In his hospital bed at age seventy-seven, he’s seen it all, right? Well, maybe not. Watch as Margoshes calls upon his raconteur skills to thicken the plot.”
— David Carpenter, winner of the 2010 Saskatchewan Book Award for A Hunter’s Confession
by Cynthia Flood
New wife and mother Julie is a woman struggling to find her place. Her dilemmas, while modest, feel harsh, and reflect the ways in which women were once denied control over their own bodies. Her first steps toward independence bring great pain—and not only to herself. With sparing, incisive prose, Cynthia Flood unravels what it meant to be a married woman in post-war era Vancouver, creating an evocative and even unsettling experience for the reader.
“With a precision of language that startles and delights, Cynthia Flood offers glimpses of those moments in which the essence of an entire life is revealed.”
— Nancy Richler, author of The Imposter Bride
“What a great story! Told in terse, restrained sentences, yet opening to a lush and radiant heart, Addresses captures the anguish of a marriage gone off the rails, and the moments of redemption that arrive from unexpected places. Flood’s use of language is uniquely her own–staccato, clean as a knife, and brilliant. Cynthia Flood has done it again.”
— Shaena Lambert, author of Radiance
“The abruptness of the title tells so much about this exquisitely drawn story by Cynthia Flood. ‘Tell the truth but tell it slant,’ Emily Dickinson advised, and that’s always been the approach Flood has preferred for her bone-china fictions, edging into them sideways. Once escorted into the story’s arrhythmic heart, we readers have no choice but to immerse ourselves in a world long gone but still very much with us, to emerge both shaken and stirred.”
— Dave Margoshes, author of A Book of Great Worth
The Psychology of Animals Swallowed Alive:
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Embark upon these twenty short, scrumptious flights of fancy from the unmistakable pen of Scott Prize-winning author Kirsty Logan, and you will be astounded, titillated, disturbed, amused, heartbroken, and above all, astonished.
“Logan crafts an exquisitely wrought diorama full of tenderly compelling characters; observations about grief, worship, social order, and human nature, and a love that transcends definition.”
– NPR on Logan's debut novel The Gracekeepers