by Julie Dupuis
A hybrid travelogue and memoir that pieces together the fragmented recollections of one woman’s rocky journey toward vegetarianism. From her rural upbringing in francophone Northeastern Ontario to exotic locations, outlandish adventures, and bizarre meals, Julie relives her struggle to make the right food choices for herself and examines the consequences of her decisions.
WHY SOY SUCKS
I DON’T EAT SOY if I can help it. It’s one of the primary causes of deforestation in the Amazonian rainforest. Moreover, entire communities are getting sick from the chemicals used on the fields. I may not eat meat, but I refuse to get my nutrients from an equally harmful source simply because it’s plant-based.
I’m certainly not a typical vegetarian. Unfortunately, it’s hard to escape soy in South Korea. It’s everywhere, especially in non-meat dishes. Well, if there’s no other option, fine. I’ll eat soy. I won’t seek it out, though.
IT’S OKAY TO KILL animals so long as it’s for food,” says my father. “Killing them for sport is unforgivable.”
“So, then . . . What about poachers? They kill for food.”
I’m young but full of ideas.
“Around here, yes. But there are poachers in other parts of the world with different motives. Most of the ones around here—and there aren’t all that many—I don’t have much of a problem with them. They’re usually not wasting the animal. In fact, the government should grant local hunters leniency because we’re not sport hunters. We hunt for food and buy less beef because of it.”
Yes, my father really talks like that. But actually, I’m not sure he said all of that. I got the gist of it, but may have confused some of his ideas with my own. I don’t think I was a teenager yet when we had this conversation.
I think I remember.
I was so young, how can I possibly remember?
Maybe I’m confusing memory with stories and pictures. But I feel like I remember . . .
I’m having a hard time sitting still in the boat. My sister is so much more patient than me. The sun’s out and I want to play. Nothing’s happened in a long time. I tug at my life jacket, squirming away from it, trying to get it off my sticky back.
“I have one! Get the net!”
My sister and I rush to watch my father reel in while my mother stands ready. My brother smiles from his seat, calmly looking on. Or maybe he’s not even there; maybe he wasn’t born yet.
“Oh, boy, it’s a tough one! Get ready, it’s coming!”
“Wow, Dad! Is that a monster?” Any one of us kids could have said that, if any one of us did say it in the first place.
Working together, my parents get the pike aboard. It’s huge, thrashing on the bottom of the boat. My father works over it to remove the hook, blocking my view.
“Argh! Shit! Shit, shit, shit!”
Once our dad starts, so do we.
“Dad, you’re bleeding!”
My brother starts to cry. Right?
“It bit me! Get me a towel.”
“Daddyyyyy!” We’re all crying by then.
“It’s okay. You’re dad’s gonna be fine,” my mom tries to soothe us.
We continue to snivel the whole way back to shore, the whole drive back to the village. My parents drop us off at my grandparents’ house and leave.
Hours later, they return.
“Daddy! Daddyyyyy! Daddy!”
We jump around him, our hero threatened.
“Look, stitches! Isn’t that cool? Let’s count them.”
The next day we eat the pike and it’s delicious.
about the author
JULIE DUPUIS holds an M.A. in English literature from the University of Toronto and did post-graduate work in Creative Book Publishing at Humber College. She is an avid hiker and traveller, and has been working as a writer since 2006. Her website is www.JulieDupuis-NaturalNomad.com.
from the library
by Naomi K Lewis
As a boy, Timmy (Sir Timothy Brian F. the Fantabulous) tells tall, tragic tales to get attention from the adults in his life - particular his busy mother and Dr. Bass, his nerdy-cool neighbour. As a young man, his escalating lies destroy his relationships, alienate his loved ones, and land him in hot water with police; but that doesn’t stop him from crying wolf again and again.
A recruiter for a Division I college basketball team travels to a town in hopes of finally convincing the year's prize high school prospect to play for his team. Over several days, he reflects on his love of the sport, his respect for the kids, and a job that forces him to sweep sentiment aside in order to get results.
“Andrew Forbes' The Gamechanger is a powerful work from a point-of-view — that of the scout, the talent evaluator — which is not often seen or done convincingly, as it is here. A story about fathers and sons, about fate, and about the implicit savageries that lurk at the heart of the sports we love and the teams we cheer for. This is wonderful, raw writing.”
— Craig Davidson, author of Rust and Bone and Cataract City
“A fascinating look at the relationships a recruiter has to manage, from the sacrifices of being away from their family, to dealing with rival recruiters, prospects and their friends and family ... a very nuanced and layered approach that goes beyond just a man with a job to do at a gym.”
— Alex Wong, stevenlebron.com
After an unexpected malfunction, the technology which enables humanity to cross vast distances has separated an interstellar traveler from the love of her life — not in space, but in time. Now, while her companions remain in stasis, she must endure the loneliness of the journey until the moment her lover wakes.
Winner of the 2015 Friends of Merril Short Story Contest, When I'm Old, When I'm Grey imagines the strange — and strangely familiar — forms that fear and longing can take, as we venture forth into the unknown of the future.
A man in the throes of a breakup is selling all of his possessions on Kijiji and Craigslist. Greg’s couch, his VHS tapes, obsolete desktop computer, and cow-shaped clock – it all must go. Between pot smoking, pizza eating, and watching Alfred Hitchcock’s Rope, he meets with would-be buyers, taking his old life apart piece by discount piece in order to figure out what went wrong.
June's mother is getting married and there's nothing June can do about it. Counting down the days to the wedding while trapped with a sort-of friend and unwanted family-to-be at their lakeside cottage in the Kawarthas, June searches desperately for a way to make the world - and her life - stand still.
A small-time internet scammer is shaken from her somewhat safe new life when an investigator arrives with questions to do with her erstwhile "period of moral decline" — specifically, the whereabouts of a young woman whose brief, bright friendship nearly steered her from the stability she now craves.
The depredations of a corrupt local government and the ravages of a harsh prairie winter force an ostracized but self-sufficient widow to open her home to innocents with nowhere else to turn. Journey Prize finalist Seyward Goodhand's effortless storytelling allows the humanity to shine through in this grim take on a classic tale.
Portraits of people marooned within themselves, trapped by their past experiences, by uncertainty and anxiety — individuals for whom each new situation is a grueling journey towards the present, a place where action and choice are possible. In Second World, Matt Cahill illustrates, with honesty and empathy, how the most important breakthroughs are not the life-altering revelations, but rather the minor miracles that get us through each day.