by Darren Greer
An imaginative and resonant work of speculative literature from ReLit Award-winning author Darren Greer. Twin brothers, born on an oppressive family farm, discover a miraculous way to escape the dreariness of their lives, charting a course that promises equal measures of wonder and heartbreak.
DALTON LIKED TO GO when there was no moon. I, on the other hand, would have liked to fly across the face of the moon — to turn and plummet through the moonlight down to the river, to catch myself just before I tumbled in, to will myself to hover. I would have tried it, but Dalton wouldn't let me.
He was older, but only by seven minutes.
The number seven is important, he said.
There are seven spots on a ladybug's back.
Seven days in a week.
A mammal's neck has seven bones.
Dalton was smart. His teachers said he had the highest scores they’d ever seen.
We often wondered what it was in the seven minutes that made such a difference. What happened to him while he was out? What happened to me while I was in? Because we discussed it so much, I could see myself inside my mother. Feel myself there, enveloped in her, floating, flying even then, as Dalton — bawling and flecked with gore — was being born, being laid on a table, being sterilized and swabbed clean for this new world.
“I remember it,” he said.
Our parents were scared of us.
My father spent all his time in the fields and the barn, and my mother yelled at us when she heard us talking about black holes and non¬linear equations and growing pumpkins the size of houses by tinkering with their genes. “It's not normal,” she said, “and it's not right.”
Dalton said they were superstitious. “They believe in God,” he said, as if that was all the proof he needed.
WHEN WE FLEW WE had to get comfortable.
That was the trick of it, the key.
We would lie on our backs in bed and just breathe.
Dalton said we could do it because of something in our brains.
“More of them is turned on than other peoples’,” he said. “The way that we know more and see more — that’s part of it too.”
Dalton first told me he could do it when we were nine. I didn't believe him. I thought he was making it up. Morning after morning he'd wake up and tell me where he'd been the night before, how far he flew, and he was puzzled because I couldn't do it too. He got me to lie in bed and reach out and hold his hand when we fell asleep so that he could take me with him. But I just slept.
One night, I suddenly awoke and Dalton was standing above me. He was smiling.
“Get up,” he said.
“Why?” I said.
“Because we're going to do it.”
“It's dumb,” I said. “I can't do it.”
“Get up,” he said. When I did, he told me to look back at my bed.
I saw myself lying there. And even though Dalton was standing in front of me, I could also see him lying on his bed.
“You see?” he said.
about the author
DARREN GREER grew up in several towns in Nova Scotia, including Greenfield and Liverpool. He studied literature at the University of King¹s College, Halifax, as well as Carleton University, Ottawa. His first novel, Tyler’s Cape, was published in March 2001 to critical acclaim and was on the bestseller list of the Halifax Chronicle-Herald. Still Life with June was nominated for the Pearson Readers’ Choice Award at The Word On The Street, Toronto, in 2003 and is the Winner of the 2004 ReLit Award. His latest novel is Just Beneath My Skin, published by Cormorant Books.
from the library
June's mother is getting married and there's nothing June can do about it. Counting down the days to the wedding while trapped with a sort-of friend and unwanted family-to-be at their lakeside cottage in the Kawarthas, June searches desperately for a way to make the world - and her life - stand still.
Toronto in the twenty-first century: At night, a beacon on a lonely ancient lake, a drainage pond from the last ice age. In the daytime, a bulwark of glass, glinting in the radiant sun. Joe, Mary, and her cat, Sam, sit in a lakeside condo, trapped by a crazed, mysterious sniper. What has become of their lives? What has become of their city? What has become of their century? As the situation begins to unravel, Mary finds herself wondering, “What would Margaret Atwood do?”
by Kirsty Logan
The anarchic relationships holding together a group of teen girls - whose lines between love and hate, jealousy and loyalty, are not so much drawn as they are furiously scribbled - are put to the test at an unforgettable birthday party. This story captures all the angst and uncertainty of adolescence, with prose as sharp and jarring as a smashed kaleidoscope.
“Rarely an author comes along whose work hits you with the impact of a slap. I have had this experience with the work of Jayne Anne Phillips, with Lorrie Moore and Mary Gaitskill; most recently I have felt this on discovering the writing of Kirsty Logan. Her work is elegant, minimal, and innovative, but underlying it all is a great passion. If the world is a place where talent is recognised—in time, I believe, we may come to say her name alongside the aforementioned.”
— Ewan Morrison, author of Swung
A recruiter for a Division I college basketball team travels to a town in hopes of finally convincing the year's prize high school prospect to play for his team. Over several days, he reflects on his love of the sport, his respect for the kids, and a job that forces him to sweep sentiment aside in order to get results.
“Andrew Forbes' The Gamechanger is a powerful work from a point-of-view — that of the scout, the talent evaluator — which is not often seen or done convincingly, as it is here. A story about fathers and sons, about fate, and about the implicit savageries that lurk at the heart of the sports we love and the teams we cheer for. This is wonderful, raw writing.”
— Craig Davidson, author of Rust and Bone and Cataract City
“A fascinating look at the relationships a recruiter has to manage, from the sacrifices of being away from their family, to dealing with rival recruiters, prospects and their friends and family ... a very nuanced and layered approach that goes beyond just a man with a job to do at a gym.”
— Alex Wong, stevenlebron.com
by Naomi K Lewis
As a boy, Timmy (Sir Timothy Brian F. the Fantabulous) tells tall, tragic tales to get attention from the adults in his life - particular his busy mother and Dr. Bass, his nerdy-cool neighbour. As a young man, his escalating lies destroy his relationships, alienate his loved ones, and land him in hot water with police; but that doesn’t stop him from crying wolf again and again.
by Kirsty Logan
Steve has his own comic book store, a limitless supply of comic books, and all the time in the world to collect them. That should be enough. But eventually, everyone - even Steve - gets lonely. And when his time comes, he too has to learn that (eternal) life isn’t about what you spend it on - it’s about who you spend it with.
“Every time I read something by Kirsty, I think, ‘Damn her, I wish I’d written that.’ She is the kind of writer that you can’t help but read with teeth-crunching envy, broken-hearted admiration, and a realization that your own work is not half as good as you’d hoped it might be. Be forewarned writers and readers: you will never be the same.”
— Shanna Germain, finalist for the 2010 John Preston Short Fiction Award and nominee for the 2008 Pushcart Prize
by Caroline Adderson
Coming out of an unhappy relationship and a stint at an artist colony, Charlotte, a writer, takes a job teaching at a private ESL college. There she befriends Renata—audacious, sexy, and as changeable as Proteus. “I have a story for you,” Renata says to her one day over lunch. She doesn’t elaborate further, but Charlotte soon discovers that she has found in Renata an unexpectedly passionate and compelling subject.
“Caroline Adderson is such a graceful and intelligent writer that the work that must surely go into creating her hilarious, prismatic stories is never betrayed in the language. There is no strain on the page, not a bead of sweat. I think of her as a writer’s writer. I envy her talent and learn from her sentences. The short story, Obscure Objects, is, I’m happy to report, Adderson at her glorious best.”
— Barbara Gowdy, author of Helpless and The White Bone
“Obscure Objects, Caroline Adderson’s fierce and affecting workplace comedy, is a deadpan gem: droll, moving, snapping-smart.”
— Meg Wolitzer, author of The Uncoupling, The Ten-Year Nap, and The Position
If You Waited Here, You Would
See Almost Everything
by Danny Goodman
After Ray collapses on the sidewalk outside a New York coffee shop, the bittersweet vagaries of his long marriage come into focus, one heartbeat at a time. From his new vantage point, flat on his back, all their conflicts are laid out against a canvas of sky, contrasting miscommunications and infidelities against something slower, steadier, and ultimately much vaster than he ever realized.