by Liz Harmer
Henry and Gretchen's parents have just gotten divorced. To take their mind off things, their dad takes them on a road trip down the east coast of the US. Along the journey, timid, insecure Henry secretly corresponds with his mother by email, while brash, certain Gretchen floats a disturbing possibility: perhaps, on this road, as with his marriage, their dad will prove too stubborn to turn back.
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THE LITTLE BLURBS OF flab hanging on either side of Henry’s back, pinched by the elastic of his swim trunks, were called love handles — so named because they were nice to grab during sex. Henry discovered this during an online search using terms like big hunks of flab above my butt and symmetrical back fat boys men. Heart racing, he cleared the search history and wiped the keys of his dad’s laptop, which had quickly greased with his sweat. Henry was just plopping down on the floral covers on the motel bed, trying to arrange his hands casually on his belly, when Dad walked in. No knock.
“Whatcha watching, buddy?”
The TV had been left on CNN. Henry shrugged.
“All right.” Dad put a hand through his sparser and sparser hair. The trip, now into its fifth week, had aged him. He was yellowing. The skin on his face seemed tougher somehow, less humanly soft. His ears were like costume ears, glued on. The balding was accentuated by the fact that Dad hadn’t gotten a haircut all summer. The strands had grown into long, sagging spikes of dried hay. “Hey. You know where your sister is?”
Henry shrugged again.
Dad sat down on the other bed, Gretchen’s bed. “You want to talk about anything?”
What Henry wanted to do was to cry, but he cried too much, too often, and it would only make his face red and splotchy, would only have him wiping his nose on his arm; these things were as bad as love handles and man boobs for making Gretchen and Dad look sadly away from him. They pitied him his shame, which only made it worse.
What Henry wanted to do was to find the zipper on this fat suit and peel the thing right off, to emerge tight and tanned and fast. What Henry wanted to do was to run away from this room, down the balcony stairs, past the pool and teenaged receptionists, down past the many parking lots to the beach. What he wanted to do was to keep running until he got back home. People ran like that, super far and without stopping. Forrest Gump and Terry Fox had done it.
“So. Hey. What should we get for dinner?”
But Henry couldn’t run for the bounce of his man boobs. At least girls had the dignity of bras. He shrugged.
Dad sighed loudly. “I know this is hard, but come on. You’ve got to give me something.”
DINNER WAS ANOTHER SEAFOOD place, another dingy patio surrounded by boats bobbing in the harbor. The patio was perched on a deck, and its angle was so lopsided that they might go sliding off into the water, sinking Titanic-style.
“Let’s do our highlights and lowlights,” Dad said, after ordering the cheapest fish and chips on the menu. Highlights and lowlights had been Mom’s dinner table talk, cheesy enough even then, this listing of the best and worst moments like sportscasters after a game.
Gretchen gave Henry the oh please look. They’d found her elsewhere in the motel, in a stranger’s room, sitting on the floor while this guy Mac played folk songs on his guitar. Mac had big sideburns, was easily twenty. Mom would have flipped, but Dad just told her quietly that it was time for dinner. She was acting strange, slow and smiley, and Henry knew she was pretending to be on drugs to impress Mac. They had x-ray vision with each other.
“Highlight: I met a guy,” Gretchen said.
Dad, unlike Mom, never asked follow-up questions.
“No lowlights,” she claimed.
A long pause followed, and the food arrived on three plates, wafting warmth and sweetness. It had been five hours since Henry ate. That afternoon he’d resisted the lure of snack-cakes sitting boxed on the motel desk and had instead walked down to the beach arcade, tummy gurgling, love handles wobbling as he slapped at the old pinball machines.
“Henry?” Dad said.
“No highlights. No lowlights,” Henry said.
“Come on, buddy.”
“But we’re not doing anything. Nothing’s happening,” he slurped at the straw in his diet coke. “When are we going home?”
about the author
from the library
by Kirsty Logan
The anarchic relationships holding together a group of teen girls - whose lines between love and hate, jealousy and loyalty, are not so much drawn as they are furiously scribbled - are put to the test at an unforgettable birthday party. This story captures all the angst and uncertainty of adolescence, with prose as sharp and jarring as a smashed kaleidoscope.
“Rarely an author comes along whose work hits you with the impact of a slap. I have had this experience with the work of Jayne Anne Phillips, with Lorrie Moore and Mary Gaitskill; most recently I have felt this on discovering the writing of Kirsty Logan. Her work is elegant, minimal, and innovative, but underlying it all is a great passion. If the world is a place where talent is recognised—in time, I believe, we may come to say her name alongside the aforementioned.”
— Ewan Morrison, author of Swung
In New York City, Ben smokes too much and sleeps with women as a way to deaden his insecurities. With every indiscretion, he fights off adulthood for one more day, until the return of an ex-lover leaves him unsure of everything. Ben’s best friend, Josh, struggles to find the good in his marriage to Maddie, even as he searches for a way to keep from losing her. Ben’s neighbor, Mrs. Aguilera, looks to make peace with those she has already lost. Gripping tightly to one another like the oddest of families, Ben and his friends embody the place in which they live: a city where everything combines, with a touch of perfect madness, into something more than the sum of its parts.
“I love this story because it’s just plain good. The characters are broken and unsure, but the love they have for each other and the humor that carries them along is genuine and lovely to behold. This story made me laugh even while it was hitting me in the gut, and I’d like nothing more than to sit down and drink a beer with everyone in it. Mr. Goodman, thank you for rocking my literary waffle.”
— Lish McBride, author of Hold Me Closer, Necromancer
by Kayt Burgess
When Blanche first began singing, she was humble, eager, willing to work, willing to learn. Now she is headstrong, condescending, unprofessional, and just a tiny bit full of herself. She is also the closest to genius that Antoinette, her accompanist, may ever have a chance to work with.
Romance is candlelight on cheekbones, blurring gazes and the press of heels on strange sheets. But what happens a year later? You’re sharing bath towels and bickering over who forgot to buy a light bulb. There is beauty in a familiar hand on the nape of your neck. There is love in waking up under a shared blanket. This story is about the romance of domesticity.
“Kirsty is one of the best and brightest . . . when I read her stuff I feel like I could taste it, chew it, roll it around on my tongue, the language is so delicious and sturdy and musical. She also has a knack for getting relationships exactly right in her writing, whether between parent and child or lovers or friends.”
— Amber Sparks, Fiction Editor at Emprise Review
A hybrid travelogue and memoir that pieces together the fragmented recollections of one woman’s rocky journey toward vegetarianism. From her rural upbringing in francophone Northeastern Ontario to exotic locations, outlandish adventures, and bizarre meals, Julie relives her struggle to make the right food choices for herself and examines the consequences of her decisions.
by Richard Rosenbaum
Polly knows what she wants: to be in the greatest band in the world. Oliver knows what he wants: Polly. Together they are The Oughts, a duo trying to attain the unattainable, one basic chord at a time.
“Richard Rosenbaum’s The Oughts jabs its sticky little fingers right into your heart and swirls them around in there for a long, long time. Its characters unfold in pitch-perfect awkwardness and tender apathy, and readers will be struck by the surreal hinges and twitching imagery that Rosenbaum flawlessly weaves in. Writers in the audience should take note: Rosenbaum has created a writhing work of fiction that any scribe would aspire to be capable of pulling off.”
— Liz Worth, author of Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond and Eleven: Eleven
A small-time internet scammer is shaken from her somewhat safe new life when an investigator arrives with questions to do with her erstwhile "period of moral decline" — specifically, the whereabouts of a young woman whose brief, bright friendship nearly steered her from the stability she now craves.