by Meghan Rose Allen
June's mother is getting married and there's nothing June can do about it. Counting down the days to the wedding while trapped with a sort-of friend and unwanted family-to-be at their lakeside cottage in the Kawarthas, June searches desperately for a way to make the world - and her life - stand still.
THE DECISION TO INVITE Gemma was Stephen's more than anyone's.
June's mother felt June could stay out of the way, but Stephen thought she would fare better having some company. They discussed all this at great length and volume after they thought June had fallen asleep, but she heard it all: the back-and-forth, the accusations, the angry words, the reconciliation. She'd even left her light on so her mother, once she came upstairs, would know she'd been listening. But her mother didn't stop in to see why June was still up. Her mother and Stephen went into their bedroom and shut the door.
So June got to invite a friend. Gemma was the only choice, not because June didn't have any other friends (she did), but because June had told Gemma that June could breathe underwater in the lake at the cottage and Gemma hadn't left her alone since, not for one minute.
"Can anyone do it?" Gemma asked in the car ride up. She and June sat in the back seat of Stephen's fancy car. June had been told repeatedly what kind of car the car was, but didn't care. All she knew was that it was expensive and elegant and Stephen didn't much enjoy having to use it to shuttle her and Gemma around. He hadn't said so, but June knew that there would be no stopping for frozen yogurt or road-side blueberry pie that they could spill on the leather seats. Stephen refused to allow any food in his car, even though he sometimes smoked in it, which he thought he'd kept hidden from everyone. Maybe June's mother didn't know, but June did. Her bedroom faced the driveway and on most of the nights June couldn't sleep, she stared out the window at the little red dot of light being held out the window of Stephen's car. The smell never one hundred percent went away, but you had to breathe in deep to notice. June breathed in deep.
"I don't know if anyone else has tried," June said. "Most people think you can't, so they don't try."
about the author
MEGHAN ROSE ALLEN has been a fiction writer her entire life, although until recently she has spent more time writing and reviewing scientific articles than having anything to do with fiction. Perhaps one day she will quit her day job and write full-time. Meghan received a Ph.D. in mathematics from Dalhousie University and she currently resides in Ottawa.
by this author
Eleven Miles There,
Twelve Miles Back
by Meghan Rose Allen
Deep in the heart of Ontario cottage country, Izza Ingram’s biological family disintegrates when her parents become trapped in a moment Izza can barely remember. Lost to their parents, she and her sister Paulie form an unlikely family unit under the guidance of their parents’ friend Doug. In this trio of their own making, Izza, Paulie, and Doug try to navigate the differences between the families we are born into versus the families we choose.
from the library
In a suburb that is nowhere and everywhere, Jorgen deals with the feelings of alienation and frustration from his collapsing relationship by getting into his car, putting on Patti Smith, and searching for meaning and belonging anywhere he can — regardless of whether he is welcome or wanted.
At the Chickasaw Motel, three generations of the McGuinness clan are led by their elderly and overbearing patriarch. Only little Riley, “the smartest f-ing kid”, is spared the brunt of Grandpa McGuinness’s cruelty; ironically, it is his encouragement that provides her with a way out.
The Last Judgment
by Maria Meindl
Charlotte is on the cusp of adolescence, and her world is being turned upside down. Unable to turn to her distant mother or absent father, she searches for guidance on the streets of downtown Toronto—and discovers God (or some version of Him) in the gutter.
“The Last Judgment is a story that penetrates into the heart of childhood sadness. Charlotte is without tools to fix what is broken, except for the incredible force of her will. The connections she makes between religion, parental failure, sexuality, and love make perfect sense because they are told in her bell-clear voice. This story is warm and tragic and, at moments, grimly funny.”
— Rebecca Rosenblum, author of Once and Road Trips
by Kirsty Logan
Steve has his own comic book store, a limitless supply of comic books, and all the time in the world to collect them. That should be enough. But eventually, everyone - even Steve - gets lonely. And when his time comes, he too has to learn that (eternal) life isn’t about what you spend it on - it’s about who you spend it with.
“Every time I read something by Kirsty, I think, ‘Damn her, I wish I’d written that.’ She is the kind of writer that you can’t help but read with teeth-crunching envy, broken-hearted admiration, and a realization that your own work is not half as good as you’d hoped it might be. Be forewarned writers and readers: you will never be the same.”
— Shanna Germain, finalist for the 2010 John Preston Short Fiction Award and nominee for the 2008 Pushcart Prize
by Kirsty Logan
The anarchic relationships holding together a group of teen girls - whose lines between love and hate, jealousy and loyalty, are not so much drawn as they are furiously scribbled - are put to the test at an unforgettable birthday party. This story captures all the angst and uncertainty of adolescence, with prose as sharp and jarring as a smashed kaleidoscope.
“Rarely an author comes along whose work hits you with the impact of a slap. I have had this experience with the work of Jayne Anne Phillips, with Lorrie Moore and Mary Gaitskill; most recently I have felt this on discovering the writing of Kirsty Logan. Her work is elegant, minimal, and innovative, but underlying it all is a great passion. If the world is a place where talent is recognised—in time, I believe, we may come to say her name alongside the aforementioned.”
— Ewan Morrison, author of Swung
A recruiter for a Division I college basketball team travels to a town in hopes of finally convincing the year's prize high school prospect to play for his team. Over several days, he reflects on his love of the sport, his respect for the kids, and a job that forces him to sweep sentiment aside in order to get results.
“Andrew Forbes' The Gamechanger is a powerful work from a point-of-view — that of the scout, the talent evaluator — which is not often seen or done convincingly, as it is here. A story about fathers and sons, about fate, and about the implicit savageries that lurk at the heart of the sports we love and the teams we cheer for. This is wonderful, raw writing.”
— Craig Davidson, author of Rust and Bone and Cataract City
“A fascinating look at the relationships a recruiter has to manage, from the sacrifices of being away from their family, to dealing with rival recruiters, prospects and their friends and family ... a very nuanced and layered approach that goes beyond just a man with a job to do at a gym.”
— Alex Wong, stevenlebron.com
This Is a Love Crime
by Lee Kvern
Marta is a human resources employee at a grocery store chain. She moves through the days passively, always taking the path of least resistance, until a case at work - that of a hijab-wearing woman, in defiance of a strict no-hats policy - awakens her to the injustices of her own life.
“This Is a Love Crime by Lee Kvern is a cunning and intensely human look at one of the central issues of our time. It negotiates the space between belief, racism, liberty, and sexuality with curiosity and compassion.”
— Todd Babiak, bestselling author of Toby: A Man and The Garneau Block
“Lee Kvern paints with a scalpel. With characteristic unflinching honesty, she peels the relationship between Marta and Corbin back to quivering nerves in This Is a Love Crime and juxtaposes it against veiled assumptions about cultural oppression. The narrative leaps crackle with energy and empathy. When I read Kvern’s stories, I’m seduced by exquisite detail and—love or loathe them—left with the scent of her characters long after the last page.”
— Betty Jane Hegerat, author of Delivery and The Boy
“In This Is a Love Crime, Lee Kvern uses the intricately drawn characters of Corbin and Marta to explore the charged topics of ethnicity and Western modes of submission and control. Written in Kvern’s distinctive, poetic, and multi-layered style, the story leaves us with warm insight into all the characters—and challenges our hearts and preconceptions.”
— Barb Howard, author of Whipstock, Notes for Monday, and The Dewpoint Show