by Nicole Chin
In a world terrorized by a mysterious criminal organization that recruits children as its foot soldiers, a boy reflects on the journey - steeped in a cocktail of friendship and fear - that has drawn his life past the point of no return.
I MADE A KID cry last Thursday. On the sidewalk, when I was coming out of the hospital. He was this cherub kid with a cloud of blond hair. What’s worse was how happy he was. His dad had him on his hip, talking to the kid about the zoo or something with animals. Zebras and orangutans.
The kid took one look at me and started to cry. And I mean cry. Like the buckets of snot and drool followed by a good half an hour of hyperventilating kind of cry.
Then his dad crossed the street and I stood there patting the eye bandage that was stretched across my face. I thought maybe he was crying because I had started to bleed again, which meant I’d have to go back into the hospital and get someone to help me, make sure I wasn’t bleeding out of something important like an artery or a vein or something brain-related.
People around me at the stoplight made a big effort not to look at me for too long. They glanced over and then made sure they didn’t look. I don’t know if that’s better or worse than the kid crying.
GREG STABBED ME ABOVE the eyeball with a plastic spoon. The handle of it. I had forgotten to fill the car’s tank, so he took a spoon from the fast food bag sitting in the front seat and rammed it into my head. It was his twenty-sixth birthday. The birthday thing is more important to know than the spoon thing.
This was after he told me about his run in with Tarek, the guy he beat up in the back stairwell of the university library, the one that’s all cement, the one where all the students go to fuck. I know this because Greg told me that when he was grinding Tarek’s face into the mesh metal screen underneath the banister, he spotted a used condom.
“Makes sense right?” Greg said. “Studying’s stressful.”
I don’t know why Greg said this; he never made it past grade ten.
about the author
NICOLE CHIN is the author of the House of Anansi Press Digital Short, “Shooting the Bitch”, which received the McIllquham Foundation Prize for best original short story. Her work has appeared in Joyland Magazine and others. She has been long-listed for the House of Anansi Broken Social Scene Short Story Contest and was the recipient of the Helen Richards Campbell Memorial Award. She is a graduate of the MFA in Creative Writing program at the University of Guelph and is currently working on a novel.
from the library
by Pauline Holdstock
Inspired by true events, this story by Scotiabank Giller Prize-nominated author Pauline Holdstock tells of the incredible bond between a mother and daughter, and with gut-wrenching poignancy reminds us of the little things that make life worth living.
“Hers is the kind of prose you get lost in.”
— National Post on The Hunter and the Wild Girl
“Holdstock’s writing manages to be both heartbreakingly poetic and densely detailed ... sad passages, ghostlike recollections, written almost from the vantage point of the present, establish the book as a great work of fiction.”
— The Globe and Mail on Into the Heart of the Country, longlisted for the 2011 Scotiabank Giller Prize
“Holdstock, with a few deft strokes, pulls the reader into the tumultuous life of an alluring rabble of characters: painters, sculptors, patrons, fools, and slaves ... In Beyond Measure, she proves herself a master of pacing. Her lively, macabre plot trips lightly along in spite of its dark elements.”
— The Globe and Mail on Beyond Measure, finalist for the 2004 Giller Prize and the 2004 Commonwealth Writers' Prize
by Kayt Burgess
When Blanche first began singing, she was humble, eager, willing to work, willing to learn. Now she is headstrong, condescending, unprofessional, and just a tiny bit full of herself. She is also the closest to genius that Antoinette, her accompanist, may ever have a chance to work with.
Hansel, Gretel and Katie
by Seyward Goodhand
The depredations of a corrupt local government and the ravages of a harsh prairie winter force an ostracized but self-sufficient widow to open her home to innocents with nowhere else to turn. Journey Prize finalist Seyward Goodhand's effortless storytelling allows the humanity to shine through in this grim take on a classic tale.
by Cynthia Flood
New wife and mother Julie is a woman struggling to find her place. Her dilemmas, while modest, feel harsh, and reflect the ways in which women were once denied control over their own bodies. Her first steps toward independence bring great pain—and not only to herself. With sparing, incisive prose, Cynthia Flood unravels what it meant to be a married woman in post-war era Vancouver, creating an evocative and even unsettling experience for the reader.
“With a precision of language that startles and delights, Cynthia Flood offers glimpses of those moments in which the essence of an entire life is revealed.”
— Nancy Richler, author of The Imposter Bride
“What a great story! Told in terse, restrained sentences, yet opening to a lush and radiant heart, Addresses captures the anguish of a marriage gone off the rails, and the moments of redemption that arrive from unexpected places. Flood’s use of language is uniquely her own–staccato, clean as a knife, and brilliant. Cynthia Flood has done it again.”
— Shaena Lambert, author of Radiance
“The abruptness of the title tells so much about this exquisitely drawn story by Cynthia Flood. ‘Tell the truth but tell it slant,’ Emily Dickinson advised, and that’s always been the approach Flood has preferred for her bone-china fictions, edging into them sideways. Once escorted into the story’s arrhythmic heart, we readers have no choice but to immerse ourselves in a world long gone but still very much with us, to emerge both shaken and stirred.”
— Dave Margoshes, author of A Book of Great Worth
by Nancy Branch
In the rugged Nepisiguit River region of northern New Brunswick, two hunters face off. One is local sports lodge employee Danny Knockwood, a Mi’gmaw guide with a withered hand. The other is Mui’n, a one-eared black bear battling his inexorable hunger. When Danny is charged by the lodge owner to hunt down the bear that is frightening guests at the salmon pools, his personal values come into sharp conflict with his commitment to the task. The resulting confrontation tests both his physical strength and his beliefs, as Danny begins to recognize a kindred spirit within the fiercely determined bear.
by Caroline Adderson
Coming out of an unhappy relationship and a stint at an artist colony, Charlotte, a writer, takes a job teaching at a private ESL college. There she befriends Renata—audacious, sexy, and as changeable as Proteus. “I have a story for you,” Renata says to her one day over lunch. She doesn’t elaborate further, but Charlotte soon discovers that she has found in Renata an unexpectedly passionate and compelling subject.
“Caroline Adderson is such a graceful and intelligent writer that the work that must surely go into creating her hilarious, prismatic stories is never betrayed in the language. There is no strain on the page, not a bead of sweat. I think of her as a writer’s writer. I envy her talent and learn from her sentences. The short story, Obscure Objects, is, I’m happy to report, Adderson at her glorious best.”
— Barbara Gowdy, author of Helpless and The White Bone
“Obscure Objects, Caroline Adderson’s fierce and affecting workplace comedy, is a deadpan gem: droll, moving, snapping-smart.”
— Meg Wolitzer, author of The Uncoupling, The Ten-Year Nap, and The Position
Memories of a Carnivore
by Julie Dupuis
A hybrid travelogue and memoir that pieces together the fragmented recollections of one woman’s rocky journey toward vegetarianism. From her rural upbringing in francophone Northeastern Ontario to exotic locations, outlandish adventures, and bizarre meals, Julie relives her struggle to make the right food choices for herself and examines the consequences of her decisions.