by Star Spider
In the late 60s, the newest member of a group of all-female pearl divers — the ama — sees her life, and the lives of those dear to her, disrupted by an unlikely force: a James Bond film that sends American men to Japan in search of their own personal 'mermaids'.
WE CALLED HER AMAKO, child of the ama—the women of the sea, on the shores of Kuzaki—because no one knew her real name and she was the best of us, a master deep diver who worked with her brother off a small, green fishing boat. I first saw her when I was twelve years old, a terrified novice shallow diver huddled in the corner of the amagoya, the small hut built for the ama. Papa had sent me to Kuzaki to live with my cousin Hiroko and his wife Nori because we needed money. I was to learn the secrets of the ama and find the richest abalone, those who hid the largest gems in their whorling folds.
Coming from inland Kyoto, I had never seen the ocean before and its endless horizon and undulating mass intimidated me. I watched the ama chatter and prepare for the day, washing their hands in small bowls of water and stripping down to their bare skin with only a small loincloth to cover them. Their fleshy breasts swayed to the rhythm of the waves and I felt out of place—an earthy inland child, banished to the realm of Suijin, the water god. There was a small stone plaque in the corner of the amagoya depicting a wave and a fish, a sign of respect for Suijin. It was meant to bring good luck to the ama, but only brought me fear and trepidation.
My brother Ryou used to tell me tales of the ama dancing with sharks and jellyfish. Poisoned and devoured. He liked to scare me and he would throw his head back and laugh as my brow creased with worry. But it wasn’t he who would have to journey below the surface of the mysterious ocean, so what did he care for my fear? I begged Papa to let me stay in Kyoto. I promised to work in the fields from the golden start of the day into the darkest night. But he knew of the ama and the riches of the sea and would have nothing less. He was not an unkind man, just demanding. Mama would have let me stay, I know it, but Mama was long gone and so I was all alone—small and scared.
about the author
STAR SPIDER is a writer from Toronto, Canada where she lives and works with her awesome husband Ben Badger. Star is represented by Carrie Plitt of Conville & Walsh and she’s hoping to have her first novel published soon. In her spare time Star is going to school and writing short stories which can be found in many places including A cappella Zoo, Necessary Fiction, The James Franco Review, Flyleaf Journal, Gone Lawn, Open Pen, Apeiron Review and Klipspringer Magazine. starspider.ca
from the library
The Last Judgment
by Maria Meindl
Charlotte is on the cusp of adolescence, and her world is being turned upside down. Unable to turn to her distant mother or absent father, she searches for guidance on the streets of downtown Toronto—and discovers God (or some version of Him) in the gutter.
“The Last Judgment is a story that penetrates into the heart of childhood sadness. Charlotte is without tools to fix what is broken, except for the incredible force of her will. The connections she makes between religion, parental failure, sexuality, and love make perfect sense because they are told in her bell-clear voice. This story is warm and tragic and, at moments, grimly funny.”
— Rebecca Rosenblum, author of Once and Road Trips
by Cynthia Flood
New wife and mother Julie is a woman struggling to find her place. Her dilemmas, while modest, feel harsh, and reflect the ways in which women were once denied control over their own bodies. Her first steps toward independence bring great pain—and not only to herself. With sparing, incisive prose, Cynthia Flood unravels what it meant to be a married woman in post-war era Vancouver, creating an evocative and even unsettling experience for the reader.
“With a precision of language that startles and delights, Cynthia Flood offers glimpses of those moments in which the essence of an entire life is revealed.”
— Nancy Richler, author of The Imposter Bride
“What a great story! Told in terse, restrained sentences, yet opening to a lush and radiant heart, Addresses captures the anguish of a marriage gone off the rails, and the moments of redemption that arrive from unexpected places. Flood’s use of language is uniquely her own–staccato, clean as a knife, and brilliant. Cynthia Flood has done it again.”
— Shaena Lambert, author of Radiance
“The abruptness of the title tells so much about this exquisitely drawn story by Cynthia Flood. ‘Tell the truth but tell it slant,’ Emily Dickinson advised, and that’s always been the approach Flood has preferred for her bone-china fictions, edging into them sideways. Once escorted into the story’s arrhythmic heart, we readers have no choice but to immerse ourselves in a world long gone but still very much with us, to emerge both shaken and stirred.”
— Dave Margoshes, author of A Book of Great Worth
In this unexpectedly dark character study, Jessica Westhead puts you in the shoes of an apprentice forced to listen to a seasoned wedding DJ as he lectures on the tricks of the trade. Emboldened by the captivity of his audience, the DJ's 'humorous' observations and grievances claw deeper and deeper, betraying ugliness at the core.
“In the still-frothing wake of And Also Sharks, here’s another sadly hilarious and hilariously sad Jessica Westhead story with bite. The self-deluding wedding DJ in The Lesson is a perfect addition to Westhead’s bent gallery of sympathetic sad sacks blustering their way through work and love ever after.”
— Zsuzsi Gartner, author of All the Anxious Girls on Earth and the 2011 Giller Prize–shortlisted Better Living Through Plastic Explosives
by Pauline Holdstock
Inspired by true events, this story by Scotiabank Giller Prize-nominated author Pauline Holdstock tells of the incredible bond between a mother and daughter, and with gut-wrenching poignancy reminds us of the little things that make life worth living.
“Hers is the kind of prose you get lost in.”
— National Post on The Hunter and the Wild Girl
“Holdstock’s writing manages to be both heartbreakingly poetic and densely detailed ... sad passages, ghostlike recollections, written almost from the vantage point of the present, establish the book as a great work of fiction.”
— The Globe and Mail on Into the Heart of the Country, longlisted for the 2011 Scotiabank Giller Prize
“Holdstock, with a few deft strokes, pulls the reader into the tumultuous life of an alluring rabble of characters: painters, sculptors, patrons, fools, and slaves ... In Beyond Measure, she proves herself a master of pacing. Her lively, macabre plot trips lightly along in spite of its dark elements.”
— The Globe and Mail on Beyond Measure, finalist for the 2004 Giller Prize and the 2004 Commonwealth Writers' Prize
This Is a Love Crime
by Lee Kvern
Marta is a human resources employee at a grocery store chain. She moves through the days passively, always taking the path of least resistance, until a case at work - that of a hijab-wearing woman, in defiance of a strict no-hats policy - awakens her to the injustices of her own life.
“This Is a Love Crime by Lee Kvern is a cunning and intensely human look at one of the central issues of our time. It negotiates the space between belief, racism, liberty, and sexuality with curiosity and compassion.”
— Todd Babiak, bestselling author of Toby: A Man and The Garneau Block
“Lee Kvern paints with a scalpel. With characteristic unflinching honesty, she peels the relationship between Marta and Corbin back to quivering nerves in This Is a Love Crime and juxtaposes it against veiled assumptions about cultural oppression. The narrative leaps crackle with energy and empathy. When I read Kvern’s stories, I’m seduced by exquisite detail and—love or loathe them—left with the scent of her characters long after the last page.”
— Betty Jane Hegerat, author of Delivery and The Boy
“In This Is a Love Crime, Lee Kvern uses the intricately drawn characters of Corbin and Marta to explore the charged topics of ethnicity and Western modes of submission and control. Written in Kvern’s distinctive, poetic, and multi-layered style, the story leaves us with warm insight into all the characters—and challenges our hearts and preconceptions.”
— Barb Howard, author of Whipstock, Notes for Monday, and The Dewpoint Show
An imaginative and resonant work of speculative literature from ReLit Award-winning author Darren Greer. Twin brothers, born on an oppressive family farm, discover a miraculous way to escape the dreariness of their lives, charting a course that promises equal measures of wonder and heartbreak.
by Kirsty Logan
Steve has his own comic book store, a limitless supply of comic books, and all the time in the world to collect them. That should be enough. But eventually, everyone - even Steve - gets lonely. And when his time comes, he too has to learn that (eternal) life isn’t about what you spend it on - it’s about who you spend it with.
“Every time I read something by Kirsty, I think, ‘Damn her, I wish I’d written that.’ She is the kind of writer that you can’t help but read with teeth-crunching envy, broken-hearted admiration, and a realization that your own work is not half as good as you’d hoped it might be. Be forewarned writers and readers: you will never be the same.”
— Shanna Germain, finalist for the 2010 John Preston Short Fiction Award and nominee for the 2008 Pushcart Prize
A small-time internet scammer is shaken from her somewhat safe new life when an investigator arrives with questions to do with her erstwhile "period of moral decline" — specifically, the whereabouts of a young woman whose brief, bright friendship nearly steered her from the stability she now craves.